Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theaterTorrence, Ridgely
General
Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theater
Torrence, Ridgely
African Americans -- Drama
[_She lifts the mannikin on the stick and looks at it._]
Now, my Lightfoot, yore tu’n’s come.
Dis is Lightfoot, Ole Marsteh.
Let me slit ’im an’ bu’n ’im an’ was’e ’im an’ cut ’im an’ choke an’ weah
’im an’ teah ’im as Sam ’uz slit an’ choked an’ bu’nt an’ was’e an’ cut
an’ woah an’ toah.
[_She waves the mannikin to the four points of the compass._]
Fo’ times fo’ times fo’ times fo’,
Fly an’ call an’ open de do’.
De chains is ready, de man is neah, an’ almos’ heah an’ de chahm shill
hol’.
Spile ’im as I spile ’im.
[_She casts the mannikin and the sticks with ferocity into the
fire on the tripod and then bends down staring intently into
the fire. There is a moment’s silence and then she gives a
cry, as she looks into the fire._]
Sam! Is dat you in da? You instid er he? W’ut dis? Is we bin trick?
’Tain’t you—’tis you—Sam! Ah-h!
[_With a cry she snatches the blazing mannikin from the brazier
and folds it in her caught-up apron, staggering and beating
the air as though battling with unseen forces. Suddenly a gust
of wind blows open the door at the right and a breeze fills
the room, blowing the smoke and fluttering the garments of
the women. The drum and rattle cease and fall to the floor.
Immediately GRANNY raises her face in awe, seeing a vision. She
stretches out her arms toward it, speaking brokenly._]
Sam! Yes, I sees yo’. I heahs yo’. Yes, my Babe-um.—Talk on.—Tell
me.—W’at!
[_She pauses, listening intently, with eyes fixed on the
unseen._]
Leave ’im go!—Oh, how kin I?—Gi’ me stren’th.
[_She pauses again and bows her head. After a moment she again
raises her face to the vision._]
I knows.—I fuhgot. I’ll do hit.—I des wen’ backerds but I’m wif yo’
now.—Yas—Ez we fuhgives uthehs—yas—I knows—we’ll do hit.—We will be
tuhgetheh.—Ez we fuhgives uthehs.
[_A knocking is heard on the door back, at left of the
fireplace. GRANNY turns her head and listens. After a pause
the knocking begins again more imperatively. She turns, seizes
the tripod brazier, casts it into the fireplace, and staggers
toward the door, taking her stand beside it. The knocking
pauses._]
Go back, w’ite man. Roll back, w’ite wave er de fiery lek. Once you lit
de fieh an’ bu’n me. Once you po’ de blood an’ pizen me, but dis time Sam
an’ me we’s de stronges’ an’ we leaves you go, we leaves you live tuh mek
yore peace wif Gawd. We’re puore bloods heah, royal black—all but one an’
we’ll do de bes’ we kin erbout ’im. He shill be name Sam. Go back, w’ite
man, an’ sin no mo’.
[_She pauses and listens. There is no further sound from
without. GRANNY staggers over to the sisters and shakes them,
saying in a faint voice_:]
Wake up, Sapphie; come tuh, Puhl. [_As she does so she looks upward again
and cries out_:] Sam, we done hit, an’ we stays tuhgetheh!
Public-domain text, read in full here on John Shaqi.
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