Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theaterTorrence, Ridgely
General
Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theater
Torrence, Ridgely
African Americans -- Drama
Gal, ef you don’ tu’n me loose I’ll git ugly. Now, look heah. I wants to
heah de las’ er dis. I got new ideahs. I got big plots en plans. I done
give you de plankses in my flatfo’m an’ I’m a-goin’ to stan’ on hit. When
I makes a lot mo’ money in de broker business I’m a-goin’ to give you all
de gold youah ap’un’ll hold, ev’y day er youah life, an’ you won’ have
to wait long. But till dat day an’ to dat time I’m de treasu’eh er dis
lodge an’ I’m de stake holdeh er dis race an’ dat money stays in de pu’se
in de hip er my ol’ jeanses.
[_He says this last slowly and with growing emphasis and as he
ends, gives himself a resounding thwack on the hip over his
pocket. There is a moment’s pause. He puts his hand hurriedly
in the pocket and then dazedly into one on the other hip._]
What dis? Wheah dat roll?
LUCY
[_Fearfully._] I ain’ tech it. You know I ain’ bin neah you.
MADISON
[_Rushing to her._] Gimme de coat.
[_He snatches the coat and begins going through the pockets,
from time to time searching and slapping the garments he is
wearing._]
Didn’t you git it? You mus’ er tuk it.
LUCY
No, Madison, I ain’ see nor tech it. You watched me.
MADISON
Oh, Lawd, he’p me look.
[_He begins to run around the room, looking on the table,
picking up articles and letting them fall, dropping on his
knees and hunting under the table and chairs. As he searches he
grows more frantic._]
Oh, my Lawd, Oh, wheah is it? I got to have it. Oh, I couldn’ lose it,
hit ain’ mine ter lose. Stay by me, Lucy, an’ he’p me fin’ it, git down
on youah knees, Lucy. Oh, wheah did I drop it? I’m gittin’ old an’ needs
it. Ef I lose dis I lose all my push. I was jes’ goin’ into business an’
we all wuz goin’ to fly high. I got to fin’ it. I ain’ give up. Lemme
think. Oh, I hopes some hones’ puhson foun’ it. Lemme come on down—Know I
put it on dat side ’cause dat de side Mistah Long he wuz on—Oh, I’ll go
crazy— [_He strikes his forehead groaning._]
LUCY
[_Starting._] Mistah Long! He’s cashiah in de Dime Savin’s! How he give
you money?
MADISON
Oh, lemme see—he gimme de money an’ I put it right in yere. [_He fumbles
again distractedly in his pocket._]
LUCY
[_Pursuing him desperately._] Onliest money at de Dime Savin’s is _de_
money. You couldn’t draw _hit_ out. You didn’ do dat,—you couldn’—Tell
me if you did fo’ I’ll fin’ it out tomorrer—Oh, tell me true—you couldn’
when it’s in my name—tell me now fo’ I’ll find it out.
MADISON
Oh, I can’t stand it.
LUCY
Ef you wan’ me to he’p you den be free wif me. How you draw money from de
Bank? I give you no papeh. You _couldn’_ draw _de_ money.
MADISON
Wilson Byrd, he gimme de papeh.
LUCY
I give him no papeh.
MADISON
He write it fo’ you.
LUCY
Oh, Gawd, dat w’ite man write my name. You drawed de money—I see it now.
You had dealin’s wif a fo’geh, Wilson Byrd.
MADISON
Public-domain text, read in full here on John Shaqi.
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