Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theaterTorrence, Ridgely
General
Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theater
Torrence, Ridgely
African Americans -- Drama
Spar’ me an’ he’p me. He tol’ me ef I draw de money he’d take me into
business wif him an’ gimme de guitar besides.
LUCY
Did you spar’ me? Fifty dollahs! You said fifty, didn’ you? How could
you do hit? More’n six months’ ha’d slavin’. Six months mo’ befo’ I can
resto’ it back. I could a bought de house tomorrer mo’nin’ an’ now hit’s
six months off to pay in dat fifty. It _was_ fifty, didn’ you say? Maybe
’twuzn’ dat much. Tell me right. I’ll fin’ it out tomorrer.
MADISON
Dis yere’ll kill me ef I can’t think.
LUCY
How much you draw? Tell me right. Look at me. Were hit fifty? [_She holds
his eye._] Less? Mo’? How much? [_She continues to hold his lustreless
eyes, reading them._] A hunde’d? Two hunde’d? Eight hunde’d? [_A pause
ensues as she reads the truth in his face._] All of hit! [_She sinks in
a chair._] Twelve yeahs’ labour sence I married you an’ termorrer I wuz
goin’ to mek de payment an’ we’d a bin undeh owah own roof. I’m done. I
could a paid off pa’t, mebbe fifty, but I won’ las’ twelve yeahs mo’ at
de same thing. But I thank Thee, Lawd, dat it wuz stole f’um us all ef
hit had to be stole.
MADISON
Ef I could on’y think. Had hit in de bank—felt hit an’ had it on Thu’d
Street—slapped hit an’ had it at Joe’s house—slapped hit an’ had it
comin’ up de alley—jes’ fo’ I clum de hill—lemme see—clum de hill—went in
th’oo Wilson Byrd’s hedge fence—he gimme de guitar—scrape my back comin’
out— [_His face shows gradual recollection, and suddenly brightens._] I
knows now! Dat’s hit! In dat white man’s yard wheah he gimme de guitar!
I wuz jes’ goin’ to give him de money when somebody grabbed him f’um
behin’. He give a squawk an’ skeered me. I run out th’oo his hedge fence
an’ scrape my back. I scrape de pocketbook out. She’s dere! In dat Wilson
Byrd’s yard. I’ll git it yit. Watch me. [_He grabs his hat and runs
excitedly toward the door._]
LUCY
[_Rushing toward him._] No, sumpin’ might happen. You might git mix up
wif him ergin. Lemme go, but I mus’ resto’ dis guitar at Uncle Williams,
as I go by his house. I’ll slip it on his porch. Maybe he’ll neveh know
it wuz gone. Oh, if somebody had seen it heah! How could I have stood it?
[_She puts on a shawl and takes up the bag but as she lays her
hand on the door-knob a loud knock is heard on the door. Both
start back and wait. The knocking is repeated. She throws off
the shawl, places the bag in a corner and returning to the
door, opens it. She greets the visitor in a strained voice,
almost with a shriek._]
Uncle Williams! Step in, please.
[_A man enters. The newcomer is old, with white hair and beard.
He is probably of Moorish descent. He is so small and weazened
as to be almost a dwarf, but his whole demeanor indicates great
latent power. A strong personality, dominating the two others
from the first instant._]
WILLIAMS
Good evenin’, Lucy.
Public-domain text, read in full here on John Shaqi.
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