Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
A girl of seventeen, with a knitted tam-o'-shanter cap and a thick
cable of red-bronze hair hanging down her back, walked along a gallery
of the Louvre, looking for her aunt. The eyes that turned whenever she
heard a footfall or, passing a statue or case, saw a fresh vista before
her, were of a light brown, with just such a hint of gold in their
irises as you see when some opals are turned and catch a different
light; and they were confused and overfilled with the treasures on
which they had rested. She was an art-student, and must return to
London on the morrow in order to resume her studies at the McGrath.
It was her first visit to Paris, and she had spent the whole of
her three weeks at the Cluny and the Luxembourg, at the Louvre and
Versailles. Now, drenched and sated with beauty, she still could not
bear to leave it all. A few minutes before, passing through the Salon
Carré, where an elderly lady had been copying the Entombment, she had
wished that she too might be old and white-haired if only age might so
enlarge her capacity for loveliness, that even youth would be well lost
for it. Already she loved the highest when she saw it, and, being an
artist, she needs must attempt it too.
The girl found her aunt near the spot where the Antinöus stands on its
pedestal, and walked along by her side, neither speaking nor listening
to the elder lady's remarks on the objects they passed. They did not
seem to her to be worth listening to. She knew that for her aunt art
had reached its _comble_ on the day when the late Sir Noël Paton had
affixed his signature to "The Man with the Muckrake," and she had got
out of the way of trying to explain that much water had flowed under
London Bridge and many students flowed through the McGrath since that
time. Besides, she did not want to talk. She wanted this last high hour
in the Louvre as much as might be to herself. She wanted to taste the
full emotion of it, not even analysing it, if only for once analysis
would cry a truce. At the end of the gallery they turned and walked
back again.
It was as they passed the Antinöus for the second time that the girl
felt her young bosom rise almost painfully. She could not have told
why, without premeditation, she suddenly lingered, so that her aunt
passed a little ahead. She watched her disappear behind some plinth or
pedestal or other, and then stopped opposite the marble bust.
There was no knowing when she might find herself in this wonderful
place again, and it seemed to her that her farewell of it now required
some symbol. She gave a furtive glance round. Neither visitor nor
_gardien_ was to be seen, and again something seemed to rise in her
throat. Noiselessly she stole to the pedestal. For a moment she
wondered whether she dared; the next instant she had risen,--in her
low-heeled brown shoes she was hardly more than five feet high,--she
had risen on tiptoe.
She crushed her lips against the Antinöus's marble cheek.
Public-domain text, read in full here on John Shaqi.
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