Gray youth: The story of a very modern courtship and a very modern marriage — John Shaqi
Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
What it was she really kissed she had no idea. They say that male
artists have been known to kiss the pallid mask of the Girl said to
have been found in the Seine, but probably they have kissed, not the
senseless plaster, but some more glowing inner image. But the girl
thought of no young man, Greek and dead or modern and alive. Perhaps
by her act she set young men expressly aside, adoring the imperishable
expression instead. It was the first kiss she had ever given. There was
no sex-impulse in it, and yet it was a gesture of sex. She would not
have known what other gesture to employ.
With a fluttering heart and a heightened colour she rejoined her aunt,
and on the following day returned to London. For days after that a
nameless wistfulness still lingered in her shallow brook-brown eyes.
A fortnight after her return they gave a fancy-dress dance at the
McGrath, and the girl made one of a supper-party of a dozen or more
who, during the interval, in one of the smaller painting-rooms, settled
on the floor in a wide ring, with plates of sandwiches and jelly and
cakes and blancmange making a rapidly disappearing parterre of food in
the middle. The ring was as noisy as a merry-go-round of painted horses
on a Bank Holiday, and they played Hunt-the-Slipper, and perhaps in
the scuffling there was a little crude hand-holding--though nobody held
the girl's hand. Then they went back again to dance in the Antique
Room, where the tall casts, the "Discobolus" and the "Gladiator," the
"Germanicus" and the great writhe of the "Laocoön," had been wheeled
back against the walls, and stood, like so many sightless servitors,
holding wraps and shawls and the fans and oddments that had been put
down on their plinths. The girl danced again.
She was dressed this time as a porcelain shepherdess, in a hooped skirt
of tender pink with tiny sprigs of green sown throughout it. She had
borrowed the dress from one of the other girls. At supper, sitting in
the ring, she had resembled a rose-peony that had been taken by its
stalk and pressed down on the floor. About the slender hyacinth-stalk
of her neck was a black velvet ribbon with a locket, and the thick mass
of her hair peeped over the shoulders of her partners like an irregular
knob of bronze lustre. Her shallow ribboned hat was on "Homer's" head,
between the "Gladiator" and the "Greek Slave."
Public-domain text, read in full here on John Shaqi.
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