Gray youth: The story of a very modern courtship and a very modern marriage — John Shaqi
Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
From these and similar stories to the larger issues of Democracy was
but a step, and as Dorothy rose and opened the flask of Chianti, the
step was taken. The Fabian Nursery and the S.D.F. came all in the
stride.... The space within the fender became half full of banana-skins
and orange peel; the fire-light shone up on the eager faces; and Amory,
in the half-shadow by the coal-box, fed her eyes on effects.
What ripping drawing there was in Dickie Lemesurier's neck as it issued
from its square-cut, peacock's-feather-embroidered frame! What a
perfectly glorious colour Walter's snuff-coloured corduroys took in the
glow (only glaze on glaze of burnt-sienna could ever get it!) And how
stunning was the shadow of Cosimo's hand over his handsome chin as he
put the cigarette into his mouth!... Cosimo's hair clung like tendrils
about his temples and over the back of his soft grey collar; Amory had
made at one time and another a dozen drawings of his splendid throat;
she hoped to make a dozen more. She was very proud of having Cosimo
for a friend. He set down appearances at their proper value, no more.
He was quite free from those stupid old-fashioned prejudices that, in
so arrogantly setting apart certain subjects as undiscussable between
young men and young women, had so delayed the real freedom that, for
all that, was coming. She laughed as Cosimo, who had just put a lump
of coal on the fire with his fingers, asked Dorothy whether he might
wipe them on her stockings, and made some remark about Spring Novelties
when Dorothy said that he might not. It was only Cosimo. Everybody
understood. There was just that touch of gentle womanliness in Cosimo
(Amory thought) that perfects and finishes a man.
In watching Cosimo and the others, but especially Cosimo, Amory had a
little disregarded the conversation. She was recalled to it by a sudden
exclamation from Katie Deedes--
"Oh no--carnations for Dickie, and just green leaves for Amory----"
"Late ones, slightly turning," Laura Beamish suggested, peering
critically over her hand again as she strove to compass a mental image
of Amory wearing the leaves.
"Or green grapes," Walter Wyron suggested, peering also.
"Amory, do take down your hair!" they suddenly implored.
Amory grumbled sweetly. It was such a bother to put it up again, she
said. But Cosimo, starting from his seat against Dorothy's knees,
cried, "Oh yes, Amory!" and took a fresh place by her feet. "With
the firelight through it it should be just unbelievable!" he cried
excitedly.... So Amory's hands went to the great red-gold fir cone; she
shook down the heavy plaits; and Cosimo's fingers parted and disposed
them.
"How's that? Wait--just a minute--it wants just one touch--there!" he
said, drawing back.
Cries of admiration broke out. Amory was as hidden by it as a weeping
elm is hidden by its leaves.
Public-domain text, read in full here on John Shaqi.
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