Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
"Oh--green leaves, most decidedly!" cried Walter Wyron with conviction.
"Amory, you really _must_ paint yourself so--none of us could do
it--_what_ a sonnet Rossetti would have written!"
"_Or_ Swinburne----"
"_Or_ Baudelaire----!"
"_Or_ Verlaine!"
Rapt they gazed for some moments longer....
"Green leaves for Amory, then, and carnations for Dickie.... What's
Dorothy?"
"Oh, Dot's a tea-rose----"
"Periwinkle, to go with her eyes----"
"'_Pervenche_' they always call it in the Catalogues, don't they, Dot?
Must have superior terms for Catalogues!"
"And amethyst earrings----"
"No, pearls----"
"I say amethyst!"
"I say pearls!"
"Pooh! Pearls are obviously Laura's wear!"
"Laura! My dear chap! Why, what were emeralds made for if they weren't
made for Laura?..."
At this point the party split up into two cliques, Amory turning
to Cosimo again, and Walter and the others continuing their
semi-symbolistic pastime.
Amory had not yet told Cosimo that she intended presently to make this
room her home. Cosimo was leaning against her knees now, and had tied
two strands of her hair together in a loose knot on his breast; and
when she spoke to him he turned up his fine face so that she saw it
upside down. When Cosimo had removed into his studio near the Vestry
Hall seven or eight months ago, Amory had spent whole days with him,
reading aloud passages from one or other of her Association volumes
while he had papered and distempered and hung his curtains, and nothing
had ever been so jolly; and so she told him now of her own approaching
change. He twisted half round within the loop of hair.
"Give you a hand? Rather! By Jove, with your view you ought to be able
to make this place perfectly ripping! How are you thinking of doing
your windows?"
Amory had known that he would be enthusiastic. She began to say
something about muslin, but Cosimo shook his handsome tendrilled head
peremptorily. He loosed himself from the bond of hair and faced round,
cross-legged, before her.
"Oh no, you mustn't dream of having muslin! I know something _far_
better than that! There's a remnant-sale at Peter Hardy's, and they
have some shop-soiled casement-cloth at one-four-three double width,
all colours; _that's_ your stuff! Oh, decidedly!... Then stencil
it--something like Dickie's yoke there, only a broader treatment,
of course--and there you are! They'll take down and put up again
in a couple of jiffs, and you have to put muslin up wet, and it
catches every bit of dust, and only washes about twice--oh no: the
casement-cloth by all means!... Now, what furniture have you got?..."
He entered wholeheartedly into her plans; he was so handsome and
intuitive, so big and tall, yet so almost femininely sympathetic. Amory
could have hugged him, there was so little of the mere superior blatant
male about him.... They plunged into a discussion--or rather Cosimo
plunged into a harangue--on the most satisfactory way of staining
floors....
Public-domain text, read in full here on John Shaqi.
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