The reply given to the invitation was the reply which the writer, or any of the readers of this article, would have given on the impulse of the moment. It is to be borne in mind that the policeman was in private clothes, and might, as far as appearances went, himself have been a murderer in the eyes of another man dressed in private clothes, who, in his turn (for what is sauce for the goose is sauce for the gander) might himself have been a policeman. "Come with me!" exclaimed Policeman X. Antony Cowlrick--if that is his proper name, which we doubt--had as much reason to suspect Policeman X as Policeman X had to suspect Antony Cowlrick. Not only did he decline the invitation in words decidedly rude (really, Mr. Cowlrick, you should have been more courteous to this policeman in private clothes!), but he had the temerity to fling not only Policeman X's hand from his shoulder, but the policeman's entire body from his person. Not long did Policeman X lie upon the ground--for just time enough to come to the conclusion that such resistance on the part of a poor man, raggedly dressed, was strong evidence of guilt. For, if not guilty of the murder, why should the man resist? Picking himself up briskly, Policeman X sprang his rattle. The precise effect produced upon the mind of Antony Cowlrick by the sound of this rattle must be mere matter of conjecture, and we will leave its consideration to a future article; its outward and visible effect was the taking to his heels by Antony Cowlrick. The mental condition of Antony Cowlrick at this exact moment presents an interesting study. Its variety, its colour, its turmoil of possibilities and consequences, its sequence of private and personal circumstance, are almost sufficiently tempting to induce us instantly to wander into a psychological treatise utterly unfit for the columns of our little newspaper, and conducive, therefore, to its immediate decline in popularity. We resist the temptation. We adhere to our programme; stern Reality--pictures of life as they naturally present themselves in all their beauty or deformity; the truth, THE TRUTH, in its naked sweetness or hideousness! The highest efforts of imagination cannot equal the pictures which are for ever being painted upon the canvas of Reality.