The Greeks with their ready gift for personification conceived of this spirit of warfare as a supernatural being acting on human lives. He was called Ares, the god whose special delight was to incite the fierce passions of men. It was natural that the Greeks should refer his influence chiefly to their enemies. On their own part they preferred to think that their armies were inspired by the prudent spirit of self-defense embodied in Athena. This explains why in the Iliad Ares was on the side of the Trojans, while Athena aided the Greeks. Thus Ares and Athena were brought into direct rivalry, the spirit of violence against the spirit of strategy. An instance is related when Athena makes an appeal to her enemy, the translation running in these words, the Roman name Mars being used for Ares. "Mars, Mars, thou slayer of men, thou steeped in blood, Destroyer of walled cities! should we not Leave both the Greeks and Trojans to contend, And Jove to crown with glory whom he will, While we retire, lest we provoke his wrath?"[21] [21] Iliad, Book v., lines 33-37. As a matter of fact, however, both deities continued to aid their favorites. Mars was forced to yield before the skill and prudence of Athena. Guided by the goddess the Greek hero Diomed wounds and drives him from the battle.[22] [22] Iliad, Book v., lines 1068-1075. In spite of his violent nature Mars was a handsome god, "stately, swift, unwearied, puissant." Though war was his chief delight he was quite susceptible to the tender passion. Venus was the object of his devotion, and the goddess of love returned the war god's admiration. It was she who soothed his wounded vanity when Athena mocked him in the presence of the gods and struck him to earth with a stone.[23] [23] Iliad, Book xxi., lines 500 _et seq._ [Illustration: D. Anderson, Photo. John Andrew & Son, Sc. ARES SEATED _Ludovisi Villa, Rome_] The statue reproduced in our illustration shows the god in his mildest aspect. He is seated in a meditative attitude, clasping his hands over his upraised knee. His splendidly developed body is relaxed in a posture of repose, the shield is laid aside for a moment, and he rests from his labors. In the best period of Greek sculpture it was entirely contrary to the laws of taste to represent Ares in any warlike action. The gods must always be portrayed in a dignified repose befitting their superiority to mankind. Not then in his attitude or expression do we find any sign of the character of the god. There is no suggestion of unrest in his quiet posture.