Greek Sculpture: A collection of sixteen pictures of Greek marbles with introduction and interpretationHurll, Estelle M. (Estelle May)
History
Greek Sculpture: A collection of sixteen pictures of Greek marbles with introduction and interpretation
Hurll, Estelle M. (Estelle May)
Sculpture, Greek
The shape of his head perhaps gives some hint of his combative nature.
The cast of countenance, too, shows an impulsive temper, weak in
intellectual qualities, and quick to anger. Yet he is undeniably
attractive, with his well-chiseled features and clustering curls. The
small ear is as delicately cut as a woman's. The fine athletic figure is
such as any warrior might covet; muscular and supple, it is full of
power even in repose. The attitude of easy grace displays its best
points to advantage.
Sitting on the ground in front of the god is the figure of a mischievous
baby boy. This is the little god Eros, who in Greek mythology was
supposed to be the inspirer of love. The artist meant to suggest that
the subject of Ares' meditations might be some affair of the heart.
Certainly his mild smile would carry out that interpretation. Some
critics have thought, however, that the statue did not originally
include the child.
As we study the modelling of the figure, the free sweep of the long
lines delights the eye. We shall come to understand from repeated
examples that the best Greek sculptors thoroughly mastered the secret of
fine lines. Our illustration is somewhat unusual because the figure is
seated. Even in this position, however, the sculptor gives us a sense
of the perfect grace and lightness of the pose. There is nothing heavy
or immovable in the attitude. We can easily imagine how the god, rising
lightly to his feet, would stand erect and beautiful, ready for action.
XI
HEAD OF THE OLYMPIAN HERMES
To do his errands and carry his messages through the universe the
supreme god Zeus had a herald, Hermes, the god of the wind. As the wind
blows out of the great sky, so Hermes descended from Olympus to earth to
do the sky god's bidding. Equipped as a herald he wore a winged cap and
winged sandals, which carried him about with great speed. He had also a
short sword bent like a scythe, given him by Zeus with the cap and
sandals. He possessed the strange power of making himself invisible, and
of assuming different forms. As he had besides a ready wit and an
eloquent tongue, he could make himself very useful. It was one of his
common tasks to carry sleep to mortals, and his most solemn office was
to conduct the souls of the dying to the other world.
This is the way the Odyssey describes Hermes setting forth on one of the
errands of Zeus:--
"The herald Argicide obeyed,
And hastily beneath his feet he bound
The fair ambrosial golden sandals, worn
To bear him over ocean like the wind,
And o'er the boundless land. His wand he took,
Wherewith he softly seals the eyes of men,
And opens them at will from sleep."[24]
[24] Book v., lines 55-61 in Bryant's translation.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account