Green Stockings: A Comedy in Three Acts — John Shaqi
Green Stockings: A Comedy in Three ActsMason, A. E. W. (Alfred Edward Woodley)
General
Green Stockings: A Comedy in Three Acts
Mason, A. E. W. (Alfred Edward Woodley)
Comedy plays; England -- Social life and customs -- 20th century -- Drama
TARVER. (_To girls_) Don't worry. Don't worry. Why should she get
tired? It would look like a lack of confidence in you if she stopped
waiting.
AUNT IDA. Yes, and Celia is certainly accustomed to waiting for and on
every one of you.
GIRLS and TARVER. Now, you know---- Oh, I say.
(MADGE _turns up to piano_.)
AUNT IDA. (_Continuing_) She is a back number. That's your constant
suggestion, and because she hasn't found a Jim Raleigh to love her,
she is on the shelf--(_Disgustedly_)--a Jim Raleigh.
(TARVER _and_ PHYLLIS _rise and she consoles him_.)
RALEIGH. (_Entering gayly through morning room_) Hello, what's that
about me? (_Goes directly to_ AUNT IDA. _They turn to table_ L.)
(AUNT IDA _flustered and exclaiming. Immediately following_ RALEIGH
_are_ FARADAY, GRICE _and_ STEELE _in the foregoing order. They are
chatting and smoking and are all in evening dress_.)
FARADAY. (_Cheerily_) You don't mind, girls, if we bring in our
cigars?
MADGE _and_ EVELYN. Not at all, Father.
(FARADAY _crosses immediately to card table and looks it over_.)
GRICE. (_Coming down_ R. _of sofa. Gruffly to_ TARVER) _Tarver_, I
want to ask you a question.
TARVER. (_Going reluctantly to him_) Yes, sir.
(PHYLLIS _looks reproachfully at_ GRICE _and sits again in chair_ L.
_of table_ R., _swinging her foot and watching_ TARVER _and_ GRICE.
STEELE _goes to head of sofa and talks with_ LADY TRENCHARD. MADGE
_remains by piano, turning over music_. RALEIGH _crosses to left of
table, above table, still talking to_ AUNT IDA. _All of this business
occurs almost simultaneously and quickly_.)
FARADAY. (_Coming out of card room. Irritably_) Madge, where are those
new markers?
MADGE. I don't know, Father. Celia attends to everything.
FARADAY. (_Coming down center. Testily_) Well, God bless my soul,
where is Celia?
(MADGE _gradually comes down_ C., R. _of_ FARADAY.)
AUNT IDA. (_Facing him. Vehemently_) God bless your soul, William
Faraday, down on the wharf in the pouring rain----
FARADAY. What's that?
AUNT IDA. (_Continuing_) Frozen to death by this time.
FARADAY. God bless my soul!
AUNT IDA. (_Continuing_) For all any one cares.
FARADAY. But I need her. She must be sent for at once.
(_Door opens suddenly_. CELIA, _in dripping oilskins and drenched
veil, carrying a soaking wet traveling bag, enters and crosses
immediately from_ L.IE. _to_ R.I. _All give start of surprise_.)
OMNES. Celia! Miss Faraday! (_Etc_.)
AUNT IDA. Darling!
MADGE. (_As_ CELIA _gets center. Coming down center_) We did send the
motor for you, Celia, only it was too late.
CELIA. (_Pausing at door_) Yes, I know, Madgie, but when I met him, he
wouldn't stop. He took me for the fish-monger---- (_Exit quickly_
R.IE.)
FARADAY. Fish-monger! God bless my soul!
MADGE. (_Idiotically to girls_) She must have walked.
EVELYN _and_ PHYLLIS. Why, yes.
AUNT IDA. Well, she could hardly sleep on the wharf, could she?
Public-domain text, read in full here on John Shaqi.
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