Gregg's Commerce of the Prairies, 1831-1839, part 2Gregg, Josiah
History
Gregg's Commerce of the Prairies, 1831-1839, part 2
Gregg, Josiah
Mexico -- Description and travel; Santa Fe National Historic Trail; Southwest, New -- Description and travel
Although the Catholics have a saint for each day in the year, the
number of canonized _fiestas_ in which labor is prohibited has been
somewhat reduced in Mexico. _La Semana Santa_, or Passion Week, is
perhaps the period when the religious feeling, such as it is, is most
fully excited: [Pg048] _Viernes Santo_ (Good Friday), especially, is
observed with great pomp and splendor. An image of Christ large as
life, nailed to a huge wooden cross, is paraded through the streets,
in the midst of an immense procession, accompanied by a glittering
array of carved images, representing the Virgin Mary, Mary Magdalene,
and several others; while the most notorious personages of antiquity,
who figured at that great era of the World's history,--the centurion
with a band of guards, armed with lances, and apparelled in the
costume supposed to have been worn in those days,--may be seen
bestriding splendidly caparisoned horses, in the breathing reality of
flesh and blood. Taking it all in all, this spectacle,--the ceremonies
and manœuvres which attend its career through the densely crowded and
ornamented {259} streets,--are calculated to produce impressions of a
most confused description, in which regret and melancholy may be said
to form no inconsiderable share.
It has been customary for great malefactors to propitiate Divine
forgiveness by a cruel sort of _penitencia_, which generally takes
place during the _Semana Santa_. I once chanced to be in the town of
Tomé[17] on Good Friday, when my attention was arrested by a man
almost naked, bearing, in imitation of Simon, a huge cross upon his
shoulders, which, though constructed of the lightest wood, must have
weighed over a hundred pounds. The long end dragged upon the ground,
as we have seen it represented in sacred pictures, and about the
middle swung a stone of immense dimensions, appended there for the
purpose of making the task more laborious. Not far behind followed
another equally destitute of clothing, with his whole body wrapped in
chains and cords, which seemed buried in the [Pg049] muscles, and
which so cramped and confined him that he was scarcely able to keep
pace with the procession. The person who brought up the rear presented
a still more disgusting aspect. He walked along with a patient and
composed step, while another followed close behind belaboring him
lustily with a whip, which he flourished with all the satisfaction of
an amateur; but as the lash was pointed only with a tuft of untwisted
sea-grass, its application merely served to keep open the wounds upon
the penitent's {260} back, which had been scarified, as I was
informed, with the keen edge of a flint, and was bleeding most
profusely. The blood was kept in perpetual flow by the stimulating
juice of certain herbs, carried by a third person, into which the
scourger frequently dipped his lash. Although the actors in this
tragical farce were completely muffled, yet they were well known to
Public-domain text, read in full here on John Shaqi.
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