second-hand shops in the county town, picking up bits of old oak and
Chippendale chairs for our furnishing. We wound up with a run up to town
and a visit to Liberty's, and soon the low oak-beamed lattice-windowed
rooms began to be home. There was a jolly old-fashioned garden, with
grass paths, and no end of hollyhocks and sunflowers, and big lilies.
From the window you could see the marsh-pastures, and beyond them the
blue, thin line of the sea. We were as happy as the summer was glorious,
and settled down into work sooner than we ourselves expected. I was
never tired of sketching the view and the wonderful cloud effects from
the open lattice, and Laura would sit at the table and write verses
about them, in which I mostly played the part of foreground.
We got a tall old peasant woman to do for us. Her face and figure were
good, though her cooking was of the homeliest; but she understood all
about gardening, and told us all the old names of the coppices and
cornfields, and the stories of the smugglers and highwaymen, and, better
still, of the "things that walked," and of the "sights" which met one in
lonely glens of a starlight night. She was a great comfort to us,
because Laura hated housekeeping as much as I loved folklore, and we
soon came to leave all the domestic business to Mrs. Dorman, and to use
her legends in little magazine stories which brought in the jingling
guinea.
We had three months of married happiness, and did not have a single
quarrel. One October evening I had been down to smoke a pipe with the
doctor--our only neighbour--a pleasant young Irishman. Laura had stayed
at home to finish a comic sketch of a village episode for the _Monthly
Marplot_. I left her laughing over her own jokes, and came in to find
her a crumpled heap of pale muslin weeping on the window seat.
"Good heavens, my darling, what's the matter?" I cried, taking her in my
arms. She leaned her little dark head against my shoulder and went on
crying. I had never seen her cry before--we had always been so happy,
you see--and I felt sure some frightful misfortune had happened.
"What _is_ the matter? Do speak."
"It's Mrs. Dorman," she sobbed.
"What has she done?" I inquired, immensely relieved.
"She says she must go before the end of the month, and she says her
niece is ill; she's gone down to see her now, but I don't believe that's
the reason, because her niece is always ill. I believe some one has been
setting her against us. Her manner was so queer----"
"Never mind, Pussy," I said; "whatever you do, don't cry, or I shall
have to cry too, to keep you in countenance, and then you'll never
respect your man again!"
She dried her eyes obediently on my handkerchief, and even smiled
faintly.
Public-domain text, read in full here on John Shaqi.
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