"But you see," she went on, "it is really serious, because these village
people are so sheepy, and if one won't do a thing you may be quite sure
none of the others will. And I shall have to cook the dinners, and wash
up the hateful greasy plates; and you'll have to carry cans of water
about, and clean the boots and knives--and we shall never have any time
for work, or earn any money, or anything. We shall have to work all day,
and only be able to rest when we are waiting for the kettle to boil!"
I represented to her that even if we had to perform these duties, the
day would still present some margin for other toils and recreations. But
she refused to see the matter in any but the greyest light. She was very
unreasonable, my Laura, but I could not have loved her any more if she
had been as reasonable as Whately.
"I'll speak to Mrs. Dorman when she comes back, and see if I can't come
to terms with her," I said. "Perhaps she wants a rise in her screw. It
will be all right. Let's walk up to the church."
The church was a large and lonely one, and we loved to go there,
especially upon bright nights. The path skirted a wood, cut through it
once, and ran along the crest of the hill through two meadows, and round
the churchyard wall, over which the old yews loomed in black masses of
shadow. This path, which was partly paved, was called "the bier-balk,"
for it had long been the way by which the corpses had been carried to
burial. The churchyard was richly treed, and was shaded by great elms
which stood just outside and stretched their majestic arms in
benediction over the happy dead. A large, low porch let one into the
building by a Norman doorway and a heavy oak door studded with iron.
Inside, the arches rose into darkness, and between them the reticulated
windows, which stood out white in the moonlight. In the chancel, the
windows were of rich glass, which showed in faint light their noble
colouring, and made the black oak of the choir pews hardly more solid
than the shadows. But on each side of the altar lay a grey marble figure
of a knight in full plate armour lying upon a low slab, with hands held
up in everlasting prayer, and these figures, oddly enough, were always
to be seen if there was any glimmer of light in the church. Their names
were lost, but the peasants told of them that they had been fierce and
wicked men, marauders by land and sea, who had been the scourge of their
time, and had been guilty of deeds so foul that the house they had lived
in--the big house, by the way, that had stood on the site of our
cottage--had been stricken by lightning and the vengeance of Heaven. But
for all that, the gold of their heirs had bought them a place in the
church. Looking at the bad hard faces reproduced in the marble, this
story was easily believed.
Public-domain text, read in full here on John Shaqi.
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