And there, one might suppose, the matter of the portraits ended. One
might suppose it, that is, if there were not evidently a good deal more
written here about it. However, to me, then, the matter seemed ended.
I went to see Mildred; I invited her and her mother to come and stay
with me. I rather avoided glancing at the picture in the ebony frame. I
could not forget, nor remember without singular emotion, the look in
the eyes of that woman when mine first met them. I shrank from meeting
that look again.
I reorganized the house somewhat, preparing for Mildred's visit. I
turned the dining-room into a drawing-room. I brought down much of the
old-fashioned furniture, and, after a long day of arranging and
re-arranging, I sat down before the fire, and, lying back in a pleasant
languor, I idly raised my eyes to the picture. I met her dark, deep
hazel eyes, and once more my gaze was held fixed as by a strong
magic--the kind of fascination that keeps one sometimes staring for
whole minutes into one's own eyes in the glass. I gazed into her eyes,
and felt my own dilate, pricked with a smart like the smart of tears.
"I wish," I said, "oh, how I wish you were a woman, and not a picture!
Come down! Ah, come down!"
I laughed at myself as I spoke; but even as I laughed I held out my
arms.
I was not sleepy; I was not drunk. I was as wide awake and as sober as
ever was a man in this world. And yet, as I held out my arms, I saw the
eyes of the picture dilate, her lips tremble--if I were to be hanged for
saying it, it is true. Her hands moved slightly, and a sort of flicker
of a smile passed over her face.
I sprang to my feet. "This won't do," I said, still aloud. "Firelight
does play strange tricks. I'll have the lamp."
I pulled myself together and made for the bell. My hand was on it, when
I heard a sound behind me, and turned--the bell still unrung. The fire
had burned low, and the corners of the room were deeply shadowed; but,
surely, there--behind the tall worked chair--was something darker than a
shadow.
"I must face this out," I said, "or I shall never be able to face myself
again." I left the bell, I seized the poker, and battered the dull coals
to a blaze. Then I stepped back resolutely, and looked up at the
picture. The ebony frame was empty! From the shadow of the worked chair
came a silken rustle, and out of the shadow the woman of the picture
was coming--coming towards me.
I hope I shall never again know a moment of terror so blank and
absolute. I could not have moved or spoken to save my life. Either all
the known laws of nature were nothing, or I was mad. I stood trembling,
but, I am thankful to remember, I stood still, while the black velvet
gown swept across the hearthrug towards me.
Next moment a hand touched me--a hand soft, warm, and human--and a low
voice said, "You called me. I am here."
Public-domain text, read in full here on John Shaqi.
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