In 36 William has heard the news and promptly determines on revenge. With Bishop Odo at his side, he gives orders that a fleet shall be made ready; the trees are hewn (37, 38), and the ships built (PLATE VII.); they are dragged down to the sea (39), arms are carried on board (40), carts with wine and arms are dragged down to the beach, William crosses in a great ship (41, 42, 43), he arrives at Pevensey (44, 45), the horses are disembarked (46), and the knights push on to Hastings (47). The whole story moves along with admirable speed, till the spectator seems to partake in the hurry and bustle of the great expedition. William’s determination is as sure as Harold’s. The difference is that his cause is just. After the arrival at Hastings, the story continues more slowly to its appointed end. That other side of military life is now shown, as necessary as, if less dignified than, the former glimpses. We see the victualling of William’s army. In 47 the soldiers are seizing the neighbouring cattle for food. In 48 is a knight on horseback bearing the name Wadard. He is thought by the designer to be well enough known to need no explanation, but at this distance of time his appearance seems irrelevant. 49, however, carries on the story from 47. The food taken then is now being cooked, the servants serve up the meats which they lay before the soldiery, and Bishop Odo blesses the meat (50). This scene is worked in with real humour; the soldiers are hardly able to restrain their appetite till grace has been said (PLATE VIII.). Immediately afterwards (51) are seen Bishop Odo, the Conqueror and his eldest son, Count Robert, the three most distinguished ornaments of the war, seated together in a tent (PLATE IX.).