He put the music on the piano as he spoke, and Mary, adjusting her
white skirts and her white shoulders, began to sing the song with
taste, and, what was more, with simplicity. Her voice was very pleasant
to the ears of Thomas, warbling one of the songs of the man whom,
against his conscience, he could not help regarding as the greatest he
knew. So much moved was he, that the signs of his emotion would have
been plainly seen had not the rest of the company, while listening
more or less to the song, been employing their eyes at the same time
with Jane's portfolio of drawings. All the time he had his eyes upon
her white shoulder: stooping to turn the last leaf from behind her, he
kissed it lightly. At the same moment the door opened, and Mr. Stopper
entered. Mary stopped singing, and rose with a face of crimson and the
timidest, slightest glance at Tom, whose face flushed up in response.
It was a foolish action, possibly repented almost as soon as done.
Certainly, for the rest of the evening, Thomas sought no opportunity
of again approaching Mary. I do not doubt it was with some feeling of
relief that he heard his father say it was time for them to be going
home.
None of the parents would have been displeased had they seen the little
passage between the young people. Neither was Mary offended at what had
occurred. While she sat singing, she knew that the face bending over
her was one of the handsomest--a face rather long and pale, of almost
pure Greek outline, with a high forehead, and dark eyes with a yet
darker fringe. Nor, although the reader must see that Tom had nothing
yet that could be called character, was his face therefore devoid of
expression; for he had plenty of feeling, and that will sometimes shine
out the more from the very absence of a _characteristic_ meaning in
the countenance. Hence, when Mary felt the kiss, and glanced at the
face whence it had fallen, she read more in the face than there was
in it to read, and the touch of his lips went deeper than her white
shoulder. They were both young, and as yet mere electric jars charged
with emotions. Had they both continued such as they were now, there
could have been no story to tell about them; none such, at least, as
I should care to tell. They belonged to the common class of mortals
who, although they are weaving a history, are not aware of it, and in
whom the process goes on so slowly that the eye of the artist can find
in them no substance sufficient to be woven into a human creation in
tale or poem. How dull that life looks to him, with its ambitions,
its love-making, its dinners, its sermons, its tailors' bills, its
weariness over all--without end or goal save that toward which it is
driven purposeless! Not till a hope is born such that its fullfilment
depends upon the will of him who cherishes it, does a man begin to
develop the stuff out of which a tale can be wrought. For then he
begins to have a story of his own--it may be for good, it may be for
evil--but a story.
Public-domain text, read in full here on John Shaqi.
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