Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
The patriarch Job, who is supposed to have lived about 2,300 years
after the creation, exclaimed, “O that my words were now written! O
that they were printed in a book! that they were graven with an iron
pen, and hid in the rock forever!” Stung with the unjust accusation
of his friends, he desires to record his words that the generations
following might see the justice of his cause. The English translation
has given the allusion to printing to the text, the original word
signifying rather to ingrave on a plate, which was doubtless the only
printing known to Job.
Montfauçon purchased at Rome in 1699 an ancient book entirely composed
of lead. It was about four inches long and three inches wide; and not
only were the two pieces that formed the cover, and the leaves, six
in number, of lead, but also the stick inserted through the rings to
hold the leaves together, as well as the hinges and nails. It contained
figures of Egyptian idols, and unintelligible writing.
China, our ancestor in invention, from remote ages had a kind of
stereotyping or printing. It was not, however, as some have supposed,
like our printing, phonetic, or the expression of sound, but, like the
Egyptian, hieroglyphical; being purely of an artificial structure,
denoting every idea by its appropriate sign without any relation to
the utterance, and speaking to the eye like the numerical ciphers of
the Europeans, which every one understands and utters in his own way.
And like most other nations of antiquity, the Chinese were content to
remain without alphabetical writing. It is, however, due to the Chinese
to add, that they led the way in making good printing-paper. When they
invented making it, does not appear, some affirming that they had the
use of it from time immemorial; others that they first discovered it in
the second century of the Christian era.
Brass, as more durable, was used for inscriptions designed to last the
longest, such as treaties, laws, and alliances. Seals, also, were used
by the ancients for impressing soft substances. In the British Museum
there is a stamp of metal with raised letters. On the back of it is a
ring, enabling the owner to wear it as a signet; his name, Caius Julius
Cæcilius Hermias, being engraved in reversed letters upon it.
+-------------+
| CICAECILI |
| HERMIAE.SN. |
+-------------+
Expanded according to the modern practice, the signet reads:--
C. I. CÆCILII HERMIÆ SIGNUM.
_Caii Julii Cæcilii Hermiæ Signum._
Public-domain text, read in full here on John Shaqi.
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