Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
This seal of Hermias was intended for stamping parchment with ink,
as is shown by the fact that the roughness of the surface below the
letters unfits it for stamping any soft substance into which it would
sink, as into wax. If rubbed with printer’s ink and pressed upon paper,
it prints very well. Thus the seed of this noble art was among the
Romans. With a block of wood covered with raised letters, they might
have printed a page, as well as a single name. But they were suffered
to grope their way from age to age blindfolded to the art of which they
had the clew. They almost grasped the great discovery, unconscious of
the prize.
Quintilian, speaking of the education of youth, says, “When the boy has
begun to trace the forms of the letters, it will be useful for him to
have the letters of the tablet engraved, that through them, as through
furrows, he may draw his style. For thus he will neither make mistakes,
being prevented by the edges on both sides, nor will he be able to go
beyond the proper bound; and by tracing quickly and frequently certain
forms, he will strengthen his joints, and will not need the assistance
of some one to put his hand above his own, and guide it.” Here we find
that the old Romans knew something of the art of stenciling.
The Emperor Justin, who lived in the sixth century, could not write,
and, to avoid the shame of making only a mark for his name, caused
holes to be bored through a tablet in the shape of the first four
letters of his name. Through these holes he traced the letters in red
ink. Theodoric, King of the Ostrogoths, it is said, wrote his name
through a gold plate, in the same manner.
Tablets, or little tables of wood, as well as of metal, came at
length to take the place of stone tables. The thin wooden tables were
sometimes covered with wax, which was written upon with a style, or
ivory pencil. These were so much like tracing in the sand, as soon to
be laid aside, and the smooth, inner bark of trees, called _liber_ in
the Latin, was used instead; also the leaves of the palm-tree, cloths
of cotton and linen, the intestines and skins of animals, and the backs
of tortoises. We derive our name _book_ from the Danish _bog_, the
beech-tree, since that was used to engrave on in Denmark, because of
its abundance.
The Egyptians very early employed a broad-leafed rush growing on the
banks of the Nile, as a material upon which to write. This was the
_papyrus_, a word which has given its name to our modern paper. Large
bundles of papyrus manuscripts, covered with hieroglyphics, have been
found in the ancient tombs and temples of that country, some of which
are capable of being deciphered at the present day.
Public-domain text, read in full here on John Shaqi.
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