Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
The books of those early days were written out by hand, _manuscripta_;
and the profession of the copyist was one of the most numerous,
honorable, and lucrative. Some booksellers employed great numbers of
copyists, paying them salaries, and made their own livelihood on the
profits of selling the works thus copied. There were in Rome, and in
some of the great cities of Greece and of Asia, particular places where
such works were sold. The rich also sometimes had slaves, prized more
highly and treated more familiarly than other slaves, who were devoted
by them to copying the works of antiquity and of their time, for their
libraries. Government, too, employed a great many copyists for its
edicts, and orators employed them in transcribing their discourses.
Later, the eunuchs copied at Byzantium the chief works of Greek,
Latin, and Hebrew antiquity. Finally, there were the monks, who, in
the retirement of the monasteries, gave their time very much to the
multiplication of books by the slow process of writing.
In every great religious house, or abbey, there was an apartment
called the scriptorium, or writing-room, where boys and young men were
employed from morning till night in copying the singing-books of the
choir, and the less valuable books of the library. Only a few of the
monks copied in this large apartment, enough to give directions, and
keep order among the boys and novices. Most of the “Holy Fathers,” as
they chose to be styled, spent their time in the cells, transcribing
Bibles and other valuable works.
[Illustration]
A monk copying. He has a cowl on his head, and wears the priest’s long
gown with flowing sleeves. His waist is girt with a belt; and he sits
bolt upright, or slightly leans forward in the most perpendicular of
arm-chairs, which seems to be joined to the desk of his cell. How
curiously he holds his quill and pointed ferule! His prior is cautious
and methodical; for he has chained the manuscript from which the monk
is copying to the wall, as if experience had taught him that he cannot
overmuch trust the brothers.
An author of those times would make a similar appearance, save that
there would be no book before him, unless for reference.
Public-domain text, read in full here on John Shaqi.
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