Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
Montgomery says, “The readers of those days were rather gluttons than
epicures in their taste for literature,” canonizing all books because
they were books, as children eulogize their toys without noticing the
quality. “To say all that could be said on any theme, whether in verse
or prose, was the fashion of the times; and as few read but those who
were devoted to reading by an irresistible passion or professional
necessity, and few wrote but those who were equally impelled by an
inveterate instinct, great books were the natural produce of the
latter, who knew not how to make little ones; and great books only
could appease the voracity of the former. Great books, therefore,
were both the fruits and the proofs of the ignorance of the age. They
were mostly composed in the gloom and torpor of the cloister, and it
almost required a human life to read the works of an author of this
description, because it was nearly as easy to compound as to digest
such crudities.” These labors of the learned could not of course
interest the common people, as they could neither understand nor buy
them. These were books without meaning,--with so little logic and
connection that the more one read, the deeper he got into the maze or
tangled mass of words. “And the lucubrations through a thousand years,
of many a noble, many a lovely mind, which only wanted better direction
how to unfold its energies or display its graces to benefit or delight
mankind, were but passing meteors, that made visible the darkness out
of which they rose, and into which they sank again to be hid forever.”
Nevertheless, we owe it to the monks to say that there were many
good and learned men among them, and for much that is valuable in
our libraries we can not thank them enough. We can never consult a
concordance of the Bible without calling to mind that they first
conceived the idea of such a work, and numbers of them, jointly
laboring long and incessantly, nobly laid its foundations, on which
others who came after raised the structure and reaped the glory.
It will be readily inferred from what has been said that books in
those times were scarce and costly. Only the rich could afford to have
them, and they had but very few. The monasteries and universities
had libraries, and occasionally one was found in the castles of the
nobility. The Cathedral of Nôtre Dame, in Strasbourg, was famed for
its splendid collection of five hundred volumes. The Countess of Anjou
bought a book of Homilies, paying for it two hundred sheep, five
quarters of wheat, and the same quantity of rye and millet. Henry V.,
King of England, borrowed a book from the Countess of Westmoreland; and
not having returned it at his death, the Countess petitioned the Privy
Council that it might be restored to her by an order under the privy
seal, which was done with all formality.
Public-domain text, read in full here on John Shaqi.
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