Gypsy Coppersmiths in Liverpool and Birkenhead — John Shaqi
Gypsy Coppersmiths in Liverpool and BirkenheadMacfie, R. A. Scott (Robert Andrew Scott)
History
Gypsy Coppersmiths in Liverpool and Birkenhead
Macfie, R. A. Scott (Robert Andrew Scott)
Romanies
Thus it happened four days afterwards that I made a morning visit to the
camp ready to add to the solemnity of the occasion such dignity as a
frock-coat and top-hat could lend. Knowing the ancient and universal
Gypsy fondness for baptism I had hoped that there would have been a
tribal festival. It was therefore disappointing to find that the
appearance of the hall was normal, and that Worsho himself was still in
bed, although the time appointed for the ceremony was near at hand.
After some exhortation he got up, stretched himself, breakfasted
leisurely, and dressed in his ordinary clothes: but Saveta, daughter of
Michael, who was to be godmother, kept me in countenance by putting on a
white dress gaudy with floral patterns. At last the little procession
set out for St. Werburgh’s Church—the strikingly handsome Worsho, his
young widowed sister Luba, the two godparents, Saveta’s pretty little
niece Liza, an assistant librarian from the Bodleian, and the
indispensable baby.
We were shockingly late, and on our arrival found that the christening
ceremony had already begun for the benefit of another infant. But the
good priest left the font, came politely to the door to receive us, put
us in our places, and recommenced the service. Although unprepared for
the solemnity and thoroughness of my godchild’s reception into the
Church, I played my unrehearsed part to the best of my ability, stumbling
only once when, some ancient memory of a grammar school in the Midlands
awaking suddenly at the command, “Say the Paternoster,” I said it
bravely—in Latin! And indeed this fault causes my conscience less
trouble than the problem of how to fulfil my godparental obligations when
my wandering goddaughter may be anywhere at all in either hemisphere.
Public-domain text, read in full here on John Shaqi.
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