Gypsy Sorcery and Fortune Telling: Illustrated by numerous incantations, specimens of medical magic, anecdotes and talesLeland, Charles Godfrey
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Gypsy Sorcery and Fortune Telling: Illustrated by numerous incantations, specimens of medical magic, anecdotes and tales
Leland, Charles Godfrey
Fortune-telling; Magic, Romani; Romanies
Or literally, "When these things to me come." For the next three
days the invalid must not touch money, eggs, or salt. There is an old
MS. collection of English charms and ceremonies, professedly of "black
witchcraft," in which we are told that if a girl will walk stark-naked
by the light of the full moon round a field or a house, and cast behind
her at every step a handful of salt, she will get the lover whom she
desires. Salt, says Moresinus, was sacred to the infernal deities,
and it was a symbol of the soul, or of life, because it preserved
the body while in it (Pitiscus, "Leg. Ant. Rom." ii. p. 675). The
devil never eats salt. Once there was in Germany a peasant who had
a witch for a wife, and the devil invited them to supper. But all
the dishes were without any seasoning, and the peasant, despite all
nudges and hints to hold his tongue kept crying for salt. And when it
was brought and he said, "Thank God, here is salt at last!" the whole
Spuck, or ghastly scene, vanished (Horst, "Dæmonomagie," Frankfurt,
1818, vol. ii. p. 213). For a great deal of further information
and symbolism on and of salt, including all the views of the ancient
Rabbis and modern rationalists on the subject of Lot's wife, the reader
may consult "Symbolik und Mythologie der Natur," by J. B. Friedrich,
Würzburg, 1859: "Salt is put into love-philtres and charms to ensure
the duration of an attachment; in some Eastern countries it is carried
in a little bag as an amulet to preserve health."
Another cure for fever. The patient must drink, from a new jug, water
from three brooks, and after every drink throw into the running stream
a handful of salt. Then he must make water into the first and say:--
"Káthe hin t'ro sherro!"
"Here is thy head!"
At the second he repeats the sacred ceremony and murmurs:--
"Káthe hin t'ro perá!"
"Here is thy belly!"
And again at the third he exclaims:--
"Te kathehin t're punrá.
Já átunci ándre páñi!"
"And here are thy feet.
Go now into the water!"
But while passing from one stream to another he must not look back
once, for then he might behold the dread demon of the fever which
follows him, neither must he open his mouth, except while uttering the
charm, for then the fever would at once enter his body again through
the portal thus left unclosed. This walking on in apprehension of
beholding the ugly spectre will recall to the reader a passage in the
"Ancient Mariner," of the man who walks in fear and dread,
"Nor turns around his head,
For well he knows a frightful fiend
Doth close behind him tread."
Public-domain text, read in full here on John Shaqi.
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