Wells, H. G. (Herbert George), 1866-1946 -- Criticism and interpretation
I am not concerned in this place to question the validity of that
answer, nor to suggest that the Wells of 1914 would not necessarily
give the same account of his beliefs as the Wells of 1909, but I must
draw attention to the attitude displayed in the book under
consideration in order to point the change of feeling recognisable in
later books. In _The Sleeper Awakes_, even in the revised version, the
sociological theory is still mechanical, the prophecy at once too
logical, and at the same time deduced from premises altogether too
restricted. The world of A.D. 2100 is the world of to-day, with its
more glaring contrasts still more glaringly emphasised; with its
social incongruities and blindness raised to a higher power. And all
that it lacked has been put into a romance called _In the Days of the
Comet_ (1906), a book to which I shall now leap, returning later to
consider the comparatively irrelevant theses of three other romances
that chronologically intervened.
The great change wrought by the coming of the Comet might be
sentimentally described as a change of heart; I prefer to call it a
change of reason. All the earlier part of the work, which is again
told in the first person, presents the life of a Midland industrial
area as seen by one who has suffered it. The Capital-Labour problem
bulks in the foreground, and is adequately supported by a passionate
exposition of the narrowness and misery of lower-middle-class life in
the jumble of limitations, barriers and injustices that arise from the
absolute ownership of property. Also, into this romance--the only one,
by the way--comes some examination of the relations of the sexes. And
all this jumble is due, if we are to believe the remedy, to human
misunderstanding. The influence of the Comet passed over the earth,
and men, after a few hours of trance, awoke to a new realisation. We
come to a first knowledge of the change in one of the most beautiful
passages that Mr Wells has written; and although I dislike to spoil a
passage by setting it out unclothed by the idea and expectations which
have led to its expression, given it form, and fitted it to a just
place in the whole composition, I will make an exception in this case
in order to justify my metaphor of "normal sight." The supposed writer
of the description had just awakened from the trance induced by the
passing of the Comet. He says:
Public-domain text, read in full here on John Shaqi.
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