Wells, H. G. (Herbert George), 1866-1946 -- Criticism and interpretation
The manner of Trafford's escape from the thing that intrigued him has
been severely criticised. After I had first read the book I too was
inclined to deprecate the device of taking Trafford and Marjorie into
the loneliness of a Labrador winter, in order to set them right with
themselves and give them a clearer vision of life. But I have read
_Marriage_ twice since I formed that premature judgment, and each time
I have found a growing justification for what at first may seem a
somewhat whimsical solution to the difficulties of an essentially
social problem.
But in effect this is the same specific that I upheld in my comment on
the romances; it illustrates the need felt by a certain class of mind
for temporary withdrawal from all the immediate urgencies and calls
of social life; the overwhelming desire to see the movements and
intricacies of human initiative and reactions, from a momentarily
detached standpoint. And Mr Wells has offered us a further commentary
on the difficulties of this abstraction, by withholding any vision
from Trafford until he was finally isolated from Marjorie, and even
from any physical contact with the movement of what we call reality,
by illness and fever. Only then, indeed, did he touch the vital
issues. I find the statement of this ultimate thing, vaguely phrased
in Trafford's semi-delirium, presenting another expression of the
thought quoted from _The New Machiavelli_; the conception of humanity
as an instrument. "Something trying to exist," he says, something
"which isn't substance, doesn't belong to space or time, something
stifled and enclosed, struggling to get through." And later he
repeats: "It struggles to exist, becomes conscious, becomes now
conscious of itself. That is where I come in as a part of it. Above
the beast in me is that--the desire to know better, to
know--beautifully, and to transmit my knowledge. That's all there is
in life for me beyond food and shelter and tidying up. This
Being--opening its eyes, listening, trying to comprehend. Every good
thing in man is that--looking and making pictures, listening and
making songs.... We began with bone-scratching. We're still--near it.
I'm just a part of this beginning--mixed with other things. Every
book, every art, every religion is that, the attempt to understand and
express--mixed with other things."
Public-domain text, read in full here on John Shaqi.
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