H.P. Lovecraft, an evaluationBrennan, Joseph Payne
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H.P. Lovecraft, an evaluation
Brennan, Joseph Payne
Lovecraft, H. P. (Howard Phillips), 1890-1937 -- Criticism and interpretation
H. P. LOVECRAFT, AN EVALUATION
by
Joseph Payne Brennan
Copyright 1955
by
Joseph Payne Brennan
MACABRE HOUSE
55 Trumbull St.
New Haven 10
Connecticut
Since the publication of my “H. P. Lovecraft: A Bibliography” (Biblio
Press, 1952), I have been repeatedly urged to write out my opinion of
Lovecraft’s work. I have been kept from doing so by the pressure of a
full-time library job, plus my own creative work in the diverse fields
of the horror story, the western story, and poetry, as well as the
semi-annual publication of ESSENCE and other time-consuming activities
such as an unending struggle against censorship groups which are
violating Constitutional rights on both a local and national level.
The following brief essay is an admittedly hurried and incomplete
attempt to meet demands for a Lovecraft critique. An entire book,
requiring many months of uninterrupted work, could be devoted to the
project and I sincerely regret that circumstances do not permit me to
undertake such a task. But I hope that my comments, in spite of their
brevity, will be of some interest.
Nearly twenty years have passed since Lovecraft’s death, but,
unfortunately, a final evaluation of the man and of his work is still
not possible. His collected poems, though due to appear shortly, have
not yet been published. His letters, either selected or collected, have
not appeared. Probably some of the pieces which he contributed under
pseudonyms to “little” magazines have never been reprinted. And of
course no complete and carefully written biography of the man has ever
been published.
With the important exception of the poems and letters however, all of
Lovecraft’s work of any significance has been in print for some years.
It seems doubtful, therefore, that an evaluation of his work, at this
time, will be seriously qualified by future publication.
Public-domain text, read in full here on John Shaqi.
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