Haifa; or, Life in modern PalestineOliphant, Laurence
History
Haifa; or, Life in modern Palestine
Oliphant, Laurence
Palestine -- Description and travel
Meanwhile the women, having finished their repast, now prepared for a
dance on the terrace. The music consisted of singing, with a
hand-clapping accompaniment, executed principally by the spectators,
while the dancers formed in a circle, holding each other by the
waistband, and rhythmically swaying to and fro, as from time to time
they changed the character and the measure of their step. All their
movements were decorous, if not all actually graceful. Sometimes one
would separate herself from the ring, and, advancing to the centre,
perform a _pas seul_, while the others danced around her, she the while
flinging her hands aloft, waving in each a light muslin veil, and making
it float above her head, while she kept time with her feet. But among
the Druses, as among most Orientals, the hands play as prominent a part
in their terpsichorean exercises as their feet. The eminently good looks
of the dancers were set off by their becoming costumes. These consisted
of outer cloaks of a rich colour, linen or woollen, open all down the
front so as to display the whole underdress, with light sleeves cut
above the elbow, the whole trimmed either with wide bands of reddish
satin or with a rich cross-stitch embroidery of silk. The unsightliness
of the baggy trousers of dark blue is lost under the long,
semi-transparent chemise, which falls over them as a white tunic,
generally striped with thicker white, and tastefully embroidered with
silk around the neck. The white sleeves of the chemise, widely pointed,
and which flow about the forearm after escaping from the short cloak
sleeve, form a simple but very graceful feature of this costume, whether
they float freely or are twisted, for convenience in work, about the
elbow. Scarfs of various bright colours are wound below the waist, and
the cloak is usually caught together below the bosom by a cord or
button, giving that double girdle often presented in ancient classical
costume. The simple long, white cloth, with the centre of one edge drawn
low upon the forehead, its two ends hanging down the back almost to the
heels, bound fast by a wide fillet of brilliant colour tied around the
head, completes very attractively, with its ancient Egyptian appearance,
this simple but highly characteristic dress, which is enhanced by
necklaces and bangles, according to the rank and position of the wearer.
Public-domain text, read in full here on John Shaqi.
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