Spouses -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
And he had not said one word about love, thought Cecily. Lover’s love,
that is. Perhaps because he did not know about it, not ever having been
married. Or perhaps he thought all such things were sinful. Cecily
reflected on love and the little thrill ran through her again. Decidedly
he could not have shown marriage at its best. There was love--being made
love to--and of course he did not know, could not be expected to know
about such things as engagements and weddings. He did not know.
The girls began to come into the chapel, and jumping up again from her
window ledge, she took from her pocket the black net veil, without which
none of the students might enter the chapel, and pinned it on her hair.
Between the black folds, falling on either side of her head, her face
looked out charmingly. She was eighteen, but if it had not been for her
tallness she would have seemed younger, for her eyes were depths of
unsophistication and her hair swept back in soft brown waves as simply
arranged as a child’s.
In the chapel Mother Barante began to sing softly the first hymn of the
Benediction. It was the most precious hour of the day to many of the
nuns as well as to the students. Mother Barante’s voice was one of the
chief prides of the cloister and the nuns told with gentle satisfaction
of the triumphs Mother Barante had been promised professionally, of the
cathedrals which had wanted her for soloist and how she had preferred to
sing like this--here in this white chapel at Benediction. Cecily had
often thought that perhaps, after all, the singer had chosen wisely.
Here in this exquisite chapel where everything except the high oaken
stalls of the nuns and the seats for the students was spotlessly white
and polished, where there were always flowers on the altar and soft
reverential lights before the shrines of the saints, was a perfect
setting. People came from great distances to hear Mother Barante sing,
and, worldly and ostentatious as some of the girls were, they all took
pride in the fact that none of these visitors saw the singer--only heard
her glorious voice from the organ loft above them, where she stood, her
glance always on the statue of the Mother of God.
Public-domain text, read in full here on John Shaqi.
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