should be preached in the mosques;--many of the harangues of these sacred orators are still preserved in the Escurial, and the style of them is very similar to that of the Christian orators. 6. POETRY.--Poetry still more than eloquence was the favorite occupation of the Arabians from their origin as a nation. It is said that this people alone have produced more poets than all others united. Mohammed himself, as well as some of his first companions, cultivated this art, but it was under Haroun al Raschid and his successor, Al Mamoun, and more especially under the Ommyïades of Spain that Arabic poetry attained its highest splendor. But the ancient impetuosity of expression, the passionate feeling, and the spirit of individual independence no longer characterized the productions of this period, nor is there among the numerous constellations of Arabic poets any star of distinguished magnitude. With the exception of Mohammed and a few of the Saracen conquerors and sovereigns, there is scarcely an individual of this nation whose name is familiar to the nations of Christendom. The Arabians possess many heroic poems composed for the purpose of celebrating the praises of distinguished men, and of animating the courage of their soldiers. They do not, however, boast of any epics; their poetry is entirely lyric and didactic. They have been inexhaustible in their love poems, their elegies, their moral verses,--among which their fables may be reckoned,--their eulogistic, satirical, descriptive, and above all, their didactic poems, which have graced even the most abstruse science, as grammar, rhetoric, and arithmetic. But among all their poems, the catalogue alone of which, in the Escurial, consists of twenty-four volumes, there is not a single epic, comedy, or tragedy. In those branches of poetry which they cultivated they displayed surprising subtlety and great refinement of thought, but the fame of their compositions rests, in some degree, on their bold metaphors, their extravagant allegories, and their excessive hyperboles. The Arabs despised the poetry of the Greeks, which appeared to them timid, cold, and constrained, and among all the books, which, with almost superstitious veneration, they borrowed from them, there is scarcely a single poem which they judged worthy of translation. The object of the Arabian poets was to make a brilliant use of the boldest and most gigantic images, and to astonish the reader by the abruptness of their expressions. They burdened their compositions with riches, under the idea that nothing which was beautiful could be superfluous. They neglected natural sentiment, and the more they could multiply the ornaments of art, the more admirable in their eyes did the work appear.