Cantù, a living historian, has written a universal history, in which he attempts the philosophical style. Though vivid in his narratives, descriptions, and details, he is often incorrect in Ms statements, and rash in his judgments; his work, though professing liberal views, is essentially conservative in its tendency. The same faults may be discovered in his more recent "History of the Italians." Tiraboschi (1731-1794) is the great historian of Italian literature; his work is biographical and critical, and is the most extensive literary history of Italy. His style is simple and elegant, and his criticism profound; but he gives greater prominence to the biographies of writers than to the consideration of their works. This history was continued by Corniani (1742-1813), and afterwards by Ugoni (1784-1855). 9. AESTHETICS, CRITICISM, PHILOLOGY, AND PHILOSOPHY.--Italian literature is comparatively deficient in aesthetics, the science of the beautiful. The treatise of Gioberti on the "Beautiful," the last work which has appeared on this subject, is distinguished for its profound doctrines and brilliant style. Philology and criticism first began to flourish at the close of the seventeenth century, and are well represented at the present time. The revival of letters was greatly promoted by the criticism of Gravina (1664-1718), one of the most celebrated jurisconsults and scholars of his age, who, through his work, "The Poetical Reason," greatly contributed to the reform of taste. Zeno, Maffei, and Muratori also distinguished themselves in the art of criticism, and by their works aided in overthrowing the school of Marini. At a later date, Gaspar Gozzi, through his "Observer," a periodical publication modeled after the "Spectator" of Addison, undertook to correct the literary taste of the country; for its invention, pungent wit, and satire, and the purity and correctness of its style, it is considered one of the best compositions of this kind. Baretti (1716-1789) propagated in England the taste for Italian literature, and at the same time published his "Literary Scourge," a criticism of the ancient and modern writers of Italy. His style, though always pure, is often caustic. He wrote several books in the English language, one of which is in defense of Shakspeare against Voltaire. Cesarotti (1730-1808), though eminent as a critic, introduced into the Italian language some innovations, which contributed to its corruption; while the nice judgment, good taste, and pure style of Parini place him at the head of this department. In the latter part of this period we find, in the criticisms of Monti, vigorous logic and a splendid and attractive style. Foscolo is distinguished for his acumen and pungent wit. The works of Perticari (1779-1822) are written with extreme polish, erudition, judgment, and dignity. In Leopardi, philosophical acumen equals the elegance of his style. Giordani (d. 1848), as a critic and an epigraphist,