deserves notice for his fine judgment and pure taste, as do Tommaseo and Cattaneo, who are both epigrammatic, witty, and pungent. The golden age of philology dates from the time of Lorenzo de' Medici to the seventeenth century. It then declined until the eighteenth, but revived in the works of Maffei, Muratori, Zeno, and others. In the same century this study was greatly promoted by Foscolo, Monti, and Cesari (1760-1828), who, among other philological works, published a new edition of the Dictionary della Crusca, revised and augmented. Of the modern writers on philology, Gherardini, Tommaseo, and Ascoli are the most prominent. The revival of philosophy in Italy dates from the age of Galileo, when the authority of the Peripatetics was overthrown, and a new method introduced into scientific researches. From that time to the present, this science has been represented by opposite schools, the one characterized by sensualism and the other by rationalism. The experimental method of Galileo paved the way to the first, which holds that experience is the only source of knowledge, a doctrine which gained ground in the seventeenth century, became universally accepted in the eighteenth, through the influence of Locke and Condillac, and continued to prevail during the first part of the nineteenth. Gioja (1767-1829), and Romagnosi (1761-1835) are the greatest representatives of this system, in the last part of this period. But while the former developed sensualism in philosophy and economy, the latter applied it to political science and jurisprudence. The numerous Works of Gioja are distinguished for their practical value and clearness of style, though they lack eloquence and purity; those of Romagnosi are more abstract, and couched in obscure arid often incorrect language, but they are monuments of vast erudition, acute and profound judgment, and powerful dialectics. Galluppi (1773-1846), though unable to extricate himself entirely from the sensualistic school, attempted the reform of philosophy, which resulted in a movement in Italy similar to that produced by Reid and Dugald Stewart in Scotland.