Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
Science
Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
Oh, you’re not a Viennese?
HUSBAND
Yes, I am a Viennese. But I am living out of town now…
MISS
Where?
HUSBAND
Oh, well, that doesn’t matter.
MISS
Oh, don’t be frightened, I won’t come to see you.
HUSBAND
If it would give you any pleasure you may come. I live in Graz.
MISS
Honestly?
HUSBAND
Yes, why does that surprise you?
MISS
You are married, aren’t you?
HUSBAND
(_Greatly surprised_) What makes you think that?
MISS
I just got the impression.
HUSBAND
And you wouldn’t mind that at all?
MISS
Well, I would rather that you were single.—So you are married!—
HUSBAND
But, tell me first what made you think of that?
MISS
If a man says he doesn’t live in Vienna, and he doesn’t always have
time—
HUSBAND
But that’s not so improbable.
MISS
I don’t believe it.
HUSBAND
And wouldn’t it hurt your conscience to have caused a married man to
become unfaithful?
MISS
Oh, my, no doubt your wife acts just like you.
HUSBAND
(_Very indignant_) That will do. No more of such remarks.
MISS
I thought you didn’t have a wife.
HUSBAND
Whether I have one or not—such remarks are uncalled for.
(_He has risen_)
MISS
But Karl, Karl, what is the matter? Are you angry? I really didn’t know
that you were married. I was just talking. Come, don’t be angry.
HUSBAND
(_Comes back to her after a few minutes_) You are strange creatures,
you … women.
(_He becomes tender again_)
MISS
Stop … don’t … it’s too late now.
HUSBAND
Well, listen to me a minute. Let’s talk seriously. I would like to see
you again, to see you often.
MISS
Would you?
HUSBAND
But one thing is necessary … that I can depend upon you. I can’t look
out for you.
MISS
Oh, I can look out for myself.
HUSBAND
You are … well, I can’t just say inexperienced—but, you are
young—and—men in general are pretty unscrupulous.
MISS
Oh, my!
HUSBAND
I don’t mean on the moral side only.—Well, you know what I mean—
MISS
Tell me, what do you think I am?
HUSBAND
Look here—if you want me—me only—we can easily arrange it—even if I do
generally live in Graz. In a place like this where some one may come
in at any moment, it isn’t very comfortable.
MISS
(_Snuggles up to him_)
HUSBAND
Next time … we shall go somewhere else, won’t we?
MISS
Yes.
HUSBAND
Where we may be entirely alone.
MISS
Yes.
HUSBAND
(_Embracing her passionately_) We’ll discuss the rest on the way home.
(_He rises, and opens the door_) Waiter … the bill!
THE SWEET YOUNG MISS AND THE POET
_A small room, furnished with taste and comfort. Red curtains
half-darken the room. A large writing-table strewn with books and
papers. A piano against the wall. The SWEET YOUNG MISS and the POET are
disclosed. They are just entering. The POET closes the door._
POET
(_Kisses her_) My darling!
MISS
(_With hat and coat_) Oh! It’s very pretty here! Only you can’t see
anything!
POET
Your eyes will have to get used to this semi-darkness.—Those sweet eyes—
(_Kisses her eyes_)
MISS
But there won’t be time enough.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account