Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
Science
Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
POET
Why not?
MISS
Because I can only stop a moment.
POET
But, you can take your hat off, can’t you?
MISS
Just for the sake of a minute?
POET
(_Takes the pin out of her hat which he removes_)
And your coat—
MISS
The idea!—I have to leave right away.
POET
But you must rest a while first. We have been walking for three hours.
MISS
Riding, you mean.
POET
Yes, we rode home—but we ran around for a full three hours in the
country. Now come, sit down, child … wherever you like—here at my
desk;—no, that’s not comfortable. Sit down on the sofa.—That’s it. (_He
presses her down_) If you are very tired, you may as well lie down.
So. (_He stretches her out on the sofa_) There, put your head on the
cushion.
MISS
(_Laughing_) But I’m not tired at all!
POET
You merely imagine you’re not. So—and if you are sleepy, you can go to
sleep. I shall be very quiet. And what’s more I can play you a lullaby
… one of my own…
(_He goes to the piano_)
MISS
One of yours.
POET
Yes.
MISS
But I thought, Robert, you were a professor.
POET
I? But I told you I was a writer. But what made you think of that?
MISS
Because you said the piece you are playing is your own.
POET
Yes … perhaps it is, perhaps it isn’t. But that doesn’t matter. Well?
Anyway it doesn’t matter who composed it, if only it is beautiful.
Don’t you agree?
MISS
Of course … it must be beautiful … that’s the chief thing!—
POET
Do you know what I meant by that?
MISS
By what?
POET
By what I just said.
MISS
(_Sleepily_) Of course I do.
POET
(_Gets up, goes to her, and strokes her hair_) You didn’t understand a
word.
MISS
I’m not as stupid as that.
POET
Certainly you are, but that is just the reason why I love you. It is so
beautiful, when girls are stupid. I mean in the way you are.
MISS
Go on, you are talking nonsense.
POET
Angel, little one! Isn’t it comfy on this soft, Persian couch cover?
MISS
Indeed, it is. Won’t you play something else on the piano?
POET
No, I’d rather stay near you.
(_Caressing her_)
MISS
But hadn’t you better light the lamp?
POET
Oh, no… The dim light is so restful. We were as if bathed in sunbeams
all day. Now we’ve just climbed out of the bath and slipped on … the
twilight like a bathrobe—(_Laughs_) No—that ought to be expressed
differently… Don’t you think so?
MISS
I don’t know.
POET
(_Moves slightly away from her_) Absolutely divine, this stupidity!
(_He takes out a notebook, and writes a few words in it_)
MISS
What are you doing? (_She turns toward him_) What are you writing?
POET
(_Softly_) Sun, bath, twilight, cloak … so… (_He puts the notebook
back. Aloud_) Nothing… Now tell me, sweetheart, wouldn’t you like
something to eat or drink?
MISS
I’m not thirsty, but I am hungry.
POET
Hm … it would suit me better, if you were thirsty. I have some cognac
at home, but I have to send out for food.
MISS
Can’t you send somebody?
POET
Public-domain text, read in full here on John Shaqi.
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