Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
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Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
Away with it … away with it … everything is superfluous.
MISS
Oh, Robert.
POET
And now enter into our Indian palace.
MISS
Tell me first—do you really love me?
POET
I adore you. (_Kisses her passionately_) I adore you, my sweetheart,
my springtime … my…
MISS
Robert … Robert…
* * * * *
POET
It was heaven… My name is…
MISS
Robert—oh, my Robert!
POET
I call myself Biebitz.
MISS
Why do you call yourself Biebitz?
POET
My name is not Biebitz—I just use it as a pseudonym … well, don’t you
recognize the name?
MISS
No.
POET
You don’t know the name Biebitz? Ah—Perfectly divine! Really? You are
just pretending you don’t know it, aren’t you?
MISS
No really, I never heard it.
POET
Don’t you ever go to the theater?
MISS
Oh, yes—I was at the opera only the other day with—you know, with one
of my friends and her uncle, to hear Cavalleria Rusticana.
POET
Hm, you don’t go then to see plays.
MISS
I never get tickets for them.
POET
I’ll send you a ticket soon.
MISS
Oh, do! And don’t forget it. But for something funny.
POET
Oh … something funny … you don’t care to see anything sad?
MISS
Not very much.
POET
Not even if it is a play of mine.
MISS
A play of yours? Do you write for the theater?
POET
Let me light a candle now. I haven’t seen you since you have become my
best beloved—Angel!
(_He lights a candle_)
MISS
Don’t. I’m ashamed. Give me a cover at least.
POET
Later!
(_He approaches her with the light, and looks at her a long while_)
MISS
(_Covering her face with her hands_) Go away, Robert!
POET
You are beautiful, you are Beauty itself. You are Nature herself. You
are the simplicity which is holy.
MISS
Ouch! You are dropping wax on me. Look, why aren’t you more careful?
POET
(_Puts the candle away_) You are that for which I have long sought.
You love me for my own sake. You would love me even if I were only
a counter-jumper. That’s balm to one’s heart. I must confess I was
suspicious until this moment. Tell me, honestly, you didn’t have any
notion that I am Biebitz?
MISS
Oh, pshaw, I don’t even know what you are talking about. I never heard
of any Biebitz.
POET
What is fame! No, forget what I have told you. Forget even the name.
I am Robert and I want to remain Robert to you. I was only joking.
(_Lightly_) I am not a writer at all. I’m a clerk, and in the evening I
play the piano in a dancehall.
MISS
But now I’m all mixed up … and the way you look at one. What is the
matter, yes, what do you mean?
POET
It is very strange—something that has never happened to me, sweetheart;
I am on the verge of tears. You move me deeply. We ought to live
together. Will you? We will be very much in love with each other.
MISS
Is it true about the dancehall?
POET
Yes, but don’t ask any more about it. If you love me, don’t ask me
anything. Tell me, can’t you get away for a few weeks?
MISS
How do you mean get away?
POET
Well, I mean, leave home?
MISS
Public-domain text, read in full here on John Shaqi.
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