Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
Science
Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
That is difficult, my servant isn’t here now—but, wait a minute—I will
go myself … what would you like?
MISS
Oh, really don’t bother; I have to go home anyway.
POET
Child, that’s out of the question. Now I will tell you something; when
we leave, we will go together somewhere for supper.
MISS
Oh, no. I haven’t time for that. And, then, where could we go? Somebody
we know might see us.
POET
Do you know such a lot of people?
MISS
Well, it takes only one to make trouble for us.
POET
Why trouble?
MISS
Well, suppose mother should hear about it…
POET
We can go somewhere, where no one can see us. There are plenty of
restaurants with private dining-rooms.
MISS
(_Singing_) “Let’s dine in a chambre separée!”
POET
Have you ever been in a private dining-room?
MISS
To tell the truth—yes.
POET
Who was the happy man?
MISS
Oh, it wasn’t the way you imagine… I went with a friend and her fiancé.
They took me along.
POET
And you expect me to believe that?
MISS
You needn’t believe it!
POET
(_Close to her_) Did you blush? You can hardly see anything. I can’t
even distinguish your features. (_He touches her cheeks with his
hands_) But even so I recognize you.
MISS
Well, be careful that you don’t take me for some one else.
POET
It is strange, I don’t seem to remember how you look.
MISS
Thank you!
POET
(_Seriously_) It is almost uncanny. I can’t imagine any longer how
you look—In a certain way I have already forgotten you—Now, if I
couldn’t remember even the sound of your voice … what would you do
then?—Something near and far away at the same time … it’s uncanny.
MISS
What are you talking about?
POET
Nothing, my angel, nothing. Where are your lips?…
(_He kisses her_)
MISS
Wouldn’t it be better to light the lamp?
POET
No… (_Very tenderly_) Tell me, do you love me?
MISS
Very much … oh, so much!
POET
Have you ever loved any one as much as me?
MISS
I told you already that I didn’t.
POET
But…
(_He sighs_)
MISS
He was my fiancé.
POET
I’d rather you wouldn’t think of him now.
MISS
Why … what’s the difference … look…
POET
We might imagine now that we were in a palace in India.
MISS
I’m sure people there wouldn’t be as wicked as you are.
POET
How idiotic! Perfectly divine—Ah, if you only know what you are to me…
MISS
Well?
POET
Don’t always push me away, I’m not going to hurt you—
MISS
My corset hurts me.
POET
(_Simply_) Take it off.
MISS
Yes. But you must behave.
POET
Of course!
MISS
(_Rises, and takes off her corset in the darkness_)
POET
(_Sits in the meantime on the sofa_) Tell me, aren’t you at all curious
to know my name?
MISS
Yes, what is it?
POET
I’d rather not tell you my real name, but the name I go by.
MISS
What is the difference?
POET
I mean the name I use as a writer.
MISS
Oh, you don’t write under your real name?
POET
(_Close to her_)
MISS
Oh … stop … don’t.
POET
What fragrance! How sweet.
(_He kisses her breasts_)
MISS
You are tearing my chemise.
POET
Public-domain text, read in full here on John Shaqi.
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