Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
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Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
It was a sensation. The people actually grew pale.
POET
You saw that?
ACTRESS
Benno said: Child, you acted divinely.
POET
Hm!… And so ill the day before.
ACTRESS
Indeed I was. And do you know why? Because I felt such a longing for
you.
POET
A little while ago you said that you stayed away just to annoy me.
ACTRESS
But what do you know about my love for you? Everything leaves you cold.
And I have been delirious for nights. In a high fever—hundred and four
degrees.
POET
Rather high for a mood.
ACTRESS
You call that a mood? I am dying for love of you, and you call it a
mood—?
POET
And Dick…?
ACTRESS
Dick?… Don’t talk to me about that galley-slave!—
THE ACTRESS AND THE COUNT
_The bedroom of the ACTRESS, luxuriously furnished. It is midday. The
curtains are still down; a candle is burning on the dressing-table.
The ACTRESS is disclosed in her four-poster bed. Many newspapers are
strewn about on the cover. The COUNT in the uniform of a captain of the
Dragoons enters. He remains standing at the door._
ACTRESS
Ah, Count.
COUNT
Your mother said I might, otherwise I would not—
ACTRESS
Please, come closer.
COUNT
I kiss your hand. Pardon me—when you come in from the street … I can’t
see a thing yet. So … here we are (_at her bed_). I kiss your hand.
ACTRESS
Please sit down, Count.
COUNT
Your mother said, My daughter isn’t well… Nothing serious, I hope.
ACTRESS
Nothing serious? I was on the verge of death.
COUNT
Oh, dear, oh, dear, is it possible?
ACTRESS
It is very good of you to have taken the trouble to call.
COUNT
On the verge of death! And only last night you acted divinely.
ACTRESS
It was a great triumph, wasn’t it?
COUNT
Tremendous!… The audience was carried away. I won’t say anything about
myself.
ACTRESS
Thanks, for the beautiful flowers.
COUNT
Nothing at all, Mademoiselle.
ACTRESS
(_Indicating with her eyes a large flower-basket, which stands on a
little table near the window_) There they are.
COUNT
You were literally overwhelmed with flowers and wreaths yesterday.
ACTRESS
They are still in my dressing-room. All I brought home was your flowers.
COUNT
(_Kissing her hand_) How sweet of you.
ACTRESS
(_Suddenly seizes his hand, and kisses it_)
COUNT
But, Mademoiselle.
ACTRESS
Don’t be frightened, Count, it doesn’t put you under any obligations.
COUNT
You are a strange being … a sort of a problem almost—
(_Pause_)
ACTRESS
Miss Birken, I suppose, is much less of a problem.
COUNT
That little lady isn’t a problem at all, although … I really know her
only very slightly.
ACTRESS
Oh!
COUNT
That’s the actual truth. But you are a problem. I’ve always had a
yearning for a problem. It’s really been a deep personal loss to me,
that until yesterday… I _never_ saw you act.
ACTRESS
Really?
COUNT
Yes! You see, going to the theater is so complicated. I am used to
dining late … then when I get there, the best part of the play is over.
Isn’t that true?
ACTRESS
Public-domain text, read in full here on John Shaqi.
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