Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
Science
Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
From now on, I suppose, you will dine earlier.
COUNT
I’ve thought of that too. Or maybe I won’t dine at all. Dining isn’t a
special pleasure anyhow.
ACTRESS
Are there any pleasures left to an old man like you?
COUNT
That’s a question I often ask myself. But I am not an old man. There
must be some other reason.
ACTRESS
Do you think so?
COUNT
Yes. Bobby, for instance, says, that I am a philosopher. You know he
means that I do too much thinking.
ACTRESS
Yes … thinking is a misfortune.
COUNT
I have too much time, that’s why I reflect. You see, I’ve often thought
if they would transfer me to Vienna, things would be better. There’s
diversion here, stimulation. But at the bottom, it’s not really very
different from up there.
ACTRESS
What do you mean by “up there”?
COUNT
Well, down there, you know, in Hungary, in the God forsaken country
towns, where I’ve been stationed most of the time.
ACTRESS
And what did you do in Hungary?
COUNT
Well, as I am telling you, military service.
ACTRESS
Yes, but why did you stay in Hungary so long?
COUNT
Oh, things happen that way.
ACTRESS
But it must be enough to drive one mad.
COUNT
But why? You have a lot more work there, than here. You know, drilling
recruits, breaking in mounts … and the country really isn’t as bad as
they say. They are really quite beautiful, the lowlands—and marvelous
sunsets. Too bad I’m not a painter, I’ve often thought if I were, I
would paint them. We had a young chap, Splany, in our regiment, who
could do it.—But, dear me, what dull stories I am telling you.
ACTRESS
Please go on; they are delightful!
COUNT
Do you know, the nice thing about you is the way one can chat with
you, Bobby told me all about it. And it’s so seldom one can find any
one like that.
ACTRESS
Down there in Hungary, I suppose.
COUNT
But it’s quite the same in Vienna! People are always the same.
Where there are more of them, the crowd is larger. That’s the whole
difference. Tell me, do you really like people?
ACTRESS
Like them—? I hate them! I hate to look at them. I never see any one.
I’m always alone. Nobody enters my house.
COUNT
You see, I sort of thought that you hated people. It must often be the
case with artists. If one lives in the higher regions… Well, you are
lucky, you know at least why you live!
ACTRESS
Who told you that? I haven’t the slightest notion what I’m living for!
COUNT
But really—to be famous—to be fêted—
ACTRESS
Does that mean happiness?
COUNT
Happiness? There really is no such thing as happiness. All the things
that people talk about most, don’t exist … for instance, love. That’s
one of them.
ACTRESS
I suppose you are right.
COUNT
Enjoyment … intoxication … very good, nobody can deny them … they are
something real. Now, when I am enjoying myself … very good, I am aware
that I am enjoying myself. Or I am intoxicated, good. That also is
something real. And when it’s over, well then it’s over.
ACTRESS
(_Grandly_) It is over.
COUNT
Public-domain text, read in full here on John Shaqi.
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