Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
Science
Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
What do you mean by “the day after to-morrow”? We were talking about
to-day.
COUNT
There wouldn’t be much sense in that.
ACTRESS
Old man!
COUNT
You don’t quite understand me. What I mean has rather to do, how shall
I express myself, rather concerns the soul.
ACTRESS
What concern of mine is your soul?
COUNT
Believe me, it has much to do with it. It seems all wrong to me, this
notion, that you can separate the two.
ACTRESS
Don’t bother me with your philosophy. If I want any of that, I can read
books.
COUNT
One never learns from books.
ACTRESS
Very true! And that’s why you ought to wait for me to-night. As to the
soul, we will come to some sort of an understanding, you villain!
COUNT
Well, then, if I may, I shall wait in my carriage…
ACTRESS
You shall wait for me here in my home—
COUNT
… After the play.
ACTRESS
Of course.
(_He buckles on his sword_)
ACTRESS
What are you doing?
COUNT
It seems to me it is time for me to go. For a formal call I have stayed
a bit too long as it is.
ACTRESS
Well, this evening it shall be a formal call.
COUNT
Do you think so?
ACTRESS
I’ll take care of that. And now give me a last kiss, you darling little
philosopher. Here, you seducer, you … sweet child, you seller of souls,
you … panther. (_After she has ardently kissed him several times, she
thrusts him violently away_) Count, you have done me a great honor.
COUNT
Not at all, mademoiselle! (_At the door_) Au revoir.
ACTRESS
Good-by, and love to Steinamanger.
THE COUNT AND THE GIRL OF THE STREETS
_It is morning toward six o’clock. A poorly furnished room with one
window. The dirty yellowish blinds are down. Tattered, greenish
curtains. On the dresser are several photographs, and beside them a
cheap woman’s hat of conspicuously bad taste. Behind the mirror are
cheap Japanese fans. On the table over which is drawn a reddish cover
is an oil-lamp. It is burning low with a disagreeable odor, and has a
shade of yellow paper. Beside it is a pitcher with remains of beer,
and a half-empty glass.—On the floor beside the bed a woman’s clothes
are lying in disorder. They look as though they had just been quickly
thrown off. The GIRL lies sleeping in the bed, breathing quietly. The
COUNT is lying on the sofa fully dressed with his light overcoat on.
His hat lies on the floor at the head of the sofa._
COUNT
Public-domain text, read in full here on John Shaqi.
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