Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
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Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
(_Hurt_) You can beg a long while then, you abominable poseur.
COUNT
But, see, we’ve been perfectly frank with each other so far … it seems
to me it would be so much more beautiful after the play … much cozier
than now, when … I have a sort of feeling the door might open any
moment…
ACTRESS
It does not open from the outside.
COUNT
Well, you see, I have an idea one shouldn’t lightly spoil in advance
something which may be very beautiful.
ACTRESS
Possibly!…
COUNT
To tell the truth, love in the morning seems rather horrible to me.
ACTRESS
Well—you are about the worst case of lunacy I have ever met!
COUNT
I am not talking about women in general … because in general it doesn’t
make any difference anyway. But women like you … no, you may call me a
fool a hundred times over. But women like you … one doesn’t take them
before breakfast. And so … you know … so…
ACTRESS
Oh, but you are a darling!
COUNT
You understand, what I have said, don’t you? I sort of imagine it like…
ACTRESS
How do you imagine it?
COUNT
Like this… I wait for you in a carriage after the play, then we drive
somewhere for supper—
ACTRESS
I am not Miss Birken.
COUNT
I didn’t mean to say you were. Only, it seems to me, you have to be in
the right sort of mood for everything. In my case the mood doesn’t come
until supper. The most beautiful thing of all is when we drive home
together, and then…
ACTRESS
And then?
COUNT
And then … well, that depends upon circumstances.
ACTRESS
Do sit closer. Closer.
COUNT
(_Sitting down on the bed_) Seems to me, that out of the pillows comes
a fragrance … mignonette—isn’t it?
ACTRESS
It’s very warm in here, don’t you think so?
COUNT
(_Bends down, and kisses her neck_)
ACTRESS
Oh, Count, that is contrary to your program.
COUNT
Who said anything about “program.” I never have any program.
ACTRESS
(_Drawing him close to her_)
COUNT
It really is very warm.
ACTRESS
Do you think so? And so dark, just as if it were evening… (_Draws him
toward her_) It is evening … it is night… Close your eyes, if there is
too much light for you. Come!… Come!…
COUNT
(_Offers no further resistance_)
* * * * *
ACTRESS
And what about atmosphere now, you poseur?
COUNT
You are a little devil.
ACTRESS
What a thing to say!
COUNT
Well, then an angel.
ACTRESS
You should have been an actor! Really! You understand women! And do you
know, what I shall do now?
COUNT
Well?
ACTRESS
I shall tell you that I shall never see you again.
COUNT
But why?
ACTRESS
Never, never. You are too dangerous! You would drive a woman mad. Here
you are standing before me, as though nothing had happened.
COUNT
But…
ACTRESS
Please remember, Count, I have just given you everything.
COUNT
I shall never forget it!
ACTRESS
And what about to-night?
COUNT
What do you mean?
ACTRESS
Well—you wanted to wait for me after the theater?
COUNT
Oh, yes, let’s say, the day after to-morrow.
ACTRESS
Public-domain text, read in full here on John Shaqi.
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