At last he became very weak; perhaps for the reason that he took nothing into his mouth except tea. But he had no desire then for anything, either for eating, or work, or life. His thoughts were as if withered like those leaves on which he looked through the window; and those thoughts of his answered perfectly to that autumn, to that drizzle, to that leaden darkness. There are no worse moments in life than those in which a man feels that he has accomplished what he had to accomplish, that he has outlived that which he had to outlive; and that nothing more in this world belongs to him. Kamionka had lived almost fifteen years in continual dread that his talent would exhaust itself; now he was sure that it had, and he thought with bitterness that even art was deserting him. He felt therewith weariness and exhaustion in every bone of his body. He did not expect a sudden death; but he did not believe in a return to health. In general, there was not one spark of hope in him. If he wished for anything it was only that the weather would brighten, that the sun would shine into his studio. For he thought that in that case he might gain consolation. He had always been specially sensitive to slush and to darkness; such days had always deepened his sadness and depression, and what must it now be when that "hopeless time," as Kamionka called it, was joined to his sickness! Every evening when the servant brought tea he inquired: "Is it not clearing on the edge of the sky somewhere?" "There is such a mist," answered she, "that one man cannot see another." Kamionka, hearing this answer, closed his eyes and lay motionless a long time. In the yard it was always quiet save that drops of rain pattered evenly and monotonously in the gutters. About three o'clock one afternoon it was so dark that Kamionka was forced to light a candle. And he was so weak that he did this with no little difficulty. Before he reached for a match he meditated a long time; then he extended his arm lazily; the thinness of this arm, evident through the shirt sleeve, filled him, as a sculptor, with repugnance and bitterness. When he had lighted the candle he rested again, without moving, till the evening arrival of the servant, listening with closed eyes to the drops sounding in the gutter. His studio looked strange then. The flame of the candle lighted the bed with Kamionka lying on it, and came to a focus in a shining point on his forehead with its skin dry and yellow as if polished. The rest of the room was sunk in darkness, which grew denser each moment. But as it grew dark outside the statues became more rosy and acquired life. The flame of the candle now sank, now rose, and in that quivering light the statues too seemed to sink and rise exactly as if they were rising on tiptoe to gain a better look at the face of the sculptor, and be convinced that their creator was living.