The robbers seized little Helga by her white arm. At that moment the sun
went down, and as the last ray faded, she was changed to a hideous toad.
Her greenish mouth opened across half her face; her arms became thin and
slimy, and her hands grew broad and covered with webbing. Terror seized
the robbers at the sight. She stood among them, a hideous monster; then,
frog-like, hopped away, with bounds higher than she was herself, and
vanished in the thicket. The robbers knew it for an evil trick of Loge,
or secret magic art, and hurried away in affright.
* * * * *
The full moon was already rising, and soon shone forth in splendour, and
little Helga crept forth from the thicket in the skin of a wretched
toad. She stood by the bodies of the Christian priest and of the horse,
and she looked at them with eyes that seemed to weep. Her frog’s head
uttered a moan like a child beginning to cry. She threw herself now upon
one, now upon the other; she took water in her hand, which the webbed
skin had made larger and more hollow, and poured it over them. They were
dead, and would remain dead; she understood that. Wild animals would
soon come and devour their bodies; but that must not be! So she dug in
the earth as deep as she could. To open a grave for them was her wish,
but she had nothing to dig it with except a strong bough of a tree and
her weak hands; but on them there was webbing stretched between her
fingers. She tore it, and the blood flowed. These means would be of no
use, she could see. Then she took water and washed the dead man’s face,
covered it with fresh green leaves, fetched great boughs and laid them
over him, shook leaves between them, then took the heaviest stones she
was able to lift, laid them over the dead bodies, and filled up the
openings with moss. Then the mound seemed strong and protected, but this
arduous task had occupied the entire night--the sun now burst forth, and
little Helga stood in all her beauty, with bleeding hands, and, for the
first time, with tears on her flushed maiden cheeks.
Public-domain text, read in full here on John Shaqi.
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