Hans Holbein the Younger, Volume 2 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 2 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
Note-Books, has an entry of “A Ritratto of an English knight by Holbein
who sits in a chayre and a table by him,” in the collection of the Earl
of Northumberland in Suffolk House, which seems to refer to this
picture.[199]
Footnote 196:
Woltmann, 142. Reproduced in illustrated catalogue of Burlington Fine
Arts Club Exhibition, 1909, Pl. xv.; Ganz, _Holbein_, p. 77.
Footnote 197:
Also the Cheseman portrait.
Footnote 198:
Dr. Ganz, as already noted, considers it to be a genuine work of
1527-8.
Footnote 199:
Quoted by Mr. C. H. Collins Baker in _Lely and the Stuart Portrait
Painters_, Vol. ii. p. 184.
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CHAPTER XIX
“SERVANT OF THE KING’S MAJESTY”
Holbein’s entry into Henry VIII’s service—Painting of “Adam and
Eve”—Portraits of Henry VIII—The Whitehall fresco—Van Leemput’s copies
of it—The life-size cartoon of Henry VII and Henry VIII—Drawing at
Munich—Portraits of the King at Belvoir Castle, Petworth, St.
Bartholomew’s Hospital, Chatsworth, Warwick Castle, Hampton Court,
Windsor, Rome, and elsewhere—The portrait at Althorp—Portraits and
miniatures of Jane Seymour.
THE exact date of Holbein’s entry into the royal service is unknown.
Three records of the household expenditure of the King are in existence:
the Accounts of Bryan Tuke, Treasurer of the Chamber, which extend from
1st October, 20th Hen. VIII (1528) to May, 23rd Hen. VIII (1531), during
which period Holbein was out of England; the Privy Purse Expenses of the
King, from November 1529 to December 1532; and further Accounts of Tuke,
as Treasurer, from Lady Day, 29th Hen. VIII (1538) to Midsummer, 33rd
Hen. VIII (1541). Although Holbein was in England during the latter half
of 1532, his name does not occur in the Privy Purse expenses, as it
certainly would have done had he then been in the King’s employment.
Unfortunately, no accounts have been preserved for the period between
1533 and 1537, and so it is not until 1538 that we have definite proof
that the painter was in receipt of a regular salary from the royal
purse. The first entry referring to him is at Lady Day, 1538, when the
following occurs: “Item, for Hans Holben, paynter, vii_li._ x_s._” As
his salary of £30 a year, paid quarterly, was not as a rule paid in
advance, he must have already been in the royal service at least three
months earlier, that is in December 1537.
[Sidenote: HOLBEIN’S ENTRY INTO ROYAL SERVICE]
Public-domain text, read in full here on John Shaqi.
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