Hans Holbein the Younger, Volume 2 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 2 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
Woltmann, i. p. 368. An under-dress of similar fashion, however, is
worn by nearly all Holbein’s Steelyard sitters.
Footnote 18:
It should be noted, however, that similar coins appear in the box on
the table in the portrait of Georg Gisze.
“Anno dm. 1532 an. d. 26 Julii
Ætatis suæ ...”
The second “A.D.,” however, is evidently wrong. Mr. Law[19] reads it as
a possible “Aug.” for August, and is doubtful about the word “Julii.”
Both these writers fail to decipher the sitter’s age, but it appears to
be “53,” or, perhaps, “33,” the latter agreeing better with the apparent
age of the sitter.
Footnote 19:
Law, _Holbein’s Pictures_, &c., p. 5.
The W. on the seal affords some evidence against the portrait being that
of John of Antwerp. Woltmann calls it “the device of his trading house,”
and in this Mr. Law follows him. It is much more probable, however, that
it is the initial of his surname. The seal is of a similar shape to
those in the portraits of Georg Gisze and Derich Tybis. In the former
the lettering is illegible, but in the latter it is plainly “D. T.”
Before Hans of Antwerp’s surname was known, Woltmann’s suggestion was
not out of place, but Mr. Lionel Cust[20] has recently discovered it to
have been Van der Gow, which does not accord with the letter on the
seal. Among the numerous references to John of Antwerp in the State
Papers and elsewhere he is never once spoken of as belonging to the
Steelyard, whereas the picture in question is in all probability a
portrait of some merchant of the Hanseatic League. More than one German
merchant of the Steelyard whose surname began with W is mentioned in the
records, such as Gerard van Werden and Ulric Wise, while one of the
leading jewellers of Henry’s reign was Morgan Wolf, though he was almost
certainly a Welshman. However, until further evidence is forthcoming,
the name Hans of Antwerp must stand as the sitter for this portrait, and
it has much in its favour.
Footnote 20:
_Burlington Magazine_, vol. viii. No. XXXV. (Feb. 1906), pp. 356-60.
[Sidenote: PORTRAIT OF HANS OF ANTWERP]
Public-domain text, read in full here on John Shaqi.
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