Hans Holbein the Younger, Volume 2 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 2 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
Woltmann, 342; Wornum, ii. 31; Holmes, ii. 27. Reproduced by Davies,
p. 220; and elsewhere.
The portraits of the two young sons of the Duke of Suffolk, Henry and
Charles Brandon, are acknowledged on all sides to be among the very
finest of Holbein’s miniatures. Dr. Woltmann, indeed, considered the one
of the elder brother to be the best which ever came from his brush. It
is, he says, “the most beautiful miniature painting by Holbein that is
known to us, and exhibits more strikingly than any other his artistic
style and his spirited and perfect mode of execution, true in spite of
all its delicacy.”[494] This is certainly by no means too high praise,
for both miniatures are delightful renderings of childhood, drawn with
all Holbein’s keen perception, and faultless in their precision of line
and delightfulness of colouring. The elder boy, Henry (Pl. 31 (1)),[495]
aged five, is shown to the waist, full-face, leaning with his left arm
on a table at his side, his head slightly bent in the same direction. He
is wearing a black velvet dress with green under-sleeves, and a black
hat with a white feather. His fair hair is cut straight across his
forehead, and there is a rather sad look in his eyes. On the ledge of
the table is inscribed, “ETATIS SVE 5 6 SEPDEM,” and below, on the
table-leg, “ANNO” and the date, which has been variously read by
different writers. The younger brother, Charles (Pl. 31 (2)),[496] aged
three, is also seen to the waist and full-face. His dress is a bluish
grey braided in red, and with black cuffs. His flat black cap has no
feather; his hair, like his brother’s, is very fair, and his blue eyes
look straight at the spectator. There is a strong likeness between the
two. He holds in front of him a paper with the inscription “ANN 1541
ETATIS SVÆ 3 10 MARCI.” Both miniatures are painted on a playing card, 2
in. in diameter, and in each the background is the usual bright blue.
Their pedigree in the royal collection can be traced back as far as
Charles I, in whose catalogue they appear as: “Done by Hans Holbein.
Given to the King by Sir H. Vane. No. 64. _Item._ Done upon the wrong
light. Upon a round card, one of the Duke of Brandon’s children, being
in a purple habit laced with red velvet lace, with both his hands before
him. 2 inches.” “No. 65. _Item._ Another fellow piece of the same Duke
of Brandon’s children, in a black cap and habit with green sleeves,
leaning with his left arm upon the table, bending his breast towards his
left shoulder, on the table written his age, and the year of our Lord,
done upon the wrong light.” They appear again in James H’s catalogue,
No. 646, as: “Two heads in one frame, in limning, being the sons of
Charles Brandon, Duke of Suffolk. By Holbein.”
Footnote 494:
Woltmann, English translation, p. 371.
Footnote 495:
Woltmann, 268. Reproduced by Law, Pl. vii.; Knackfuss, fig. 124;
Williamson, Pl. ii. fig. 5; Ganz, _Holbein_, p. 149 (2).
Footnote 496:
Public-domain text, read in full here on John Shaqi.
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