There are several miniatures of Queen Jane Seymour in existence, in most cases attributed to Holbein, all, with one exception, closely following the portrait of that Queen in the Vienna Gallery, upon which they are evidently based. Among the best are two which were in the Burlington Fine Arts Club Exhibition, lent by Mr. Vernon Watney and by the Duke of Buccleuch. The former (Case B, 2),[535] inscribed merely “A^ON XXV,” is said to have belonged originally to the Seymour family, and to have been given by Charles, Duke of Somerset, to his granddaughter, Elizabeth Wyndham, wife of the Right Hon. George Grenville, from whom it passed into the possession of the Duke of Buckingham. It was afterwards in the Sackville Bale and Lumsden Propert collections. Sir George Scharf considered this miniature to be a portrait of Anne Boleyn, and regarded the “XXV” as the King’s regnal date, and not as that of the lady’s age;[536] but the likeness to Jane Seymour is stronger, though not very marked. Mr. C. F. Bell points out[537] that the likeness of the sitter to Lady Hemingham or Heveningham (“Henegham”), as she is represented in the fine drawing at Windsor,[538] is much more pronounced, and he suggests that the miniature was painted from the portrait of that lady, taken from the drawing, which has now disappeared. Mr. Watney’s miniature, however, closely resembles the one belonging to the Duke of Buccleuch (Case C, 5),[539] though the latter has no inscription and the pendant jewel set with large pearls is absent. This last portrait belonged to Horace Walpole, and by him was regarded as representing Katherine of Aragon, and under that name it passed from the Strawberry Hill sale into the hands of Mr. Blamire, and afterwards into its present ownership. It appears to be, however, an undoubted portrait of Henry’s third queen. Another miniature of Jane Seymour was lent to the same exhibition by Mr. H. Dent-Brocklehurst (Case B, 6),[540] attributed like the others to Holbein, which was also formerly in the possession of Horace Walpole. The portrait of this queen is also among the four miniatures attached to the enamelled jewel, of Nicholas Hilliard’s workmanship, in the royal collection at Windsor, mentioned above. It is inscribed “ANŌ DNĪ 1536 ÆTATIS SVÆ 27,” which no doubt appeared on the original miniature by Holbein, now lost, from which all these others are also derived. Footnote 535: Reproduced in the _Burlington Fine Arts Club Catalogue_, Pl. xxxii.; Ganz, _Holbein_, p. 148 (1). Footnote 536: _Archæologia_, vol. xl., 1866, p. 81. Footnote 537: In a communication to Dr. Ganz. See _Holbein_, p. 245. Footnote 538: Woltmann, 333; Wornum, ii. 25; Holmes, ii. 12. Footnote 539: Reproduced in the _Burlington Fine Arts Club Catalogue_, Pl. xxxii. Footnote 540: Reproduced in the _Burlington Fine Arts Club Catalogue_, Pl. xxxii.