The miniatures of Catherine Howard have been already described.[541] It is doubtful whether Holbein painted Queen Catherine Parr, for the King did not marry her until July 12, 1543, only a month or two before the artist died. A miniature in the possession of Mr. H. Dent-Brocklehurst, lent by him to the Burlington Fine Arts Club Exhibition (Case B, 7), is said to represent this Queen and to be by Holbein, but both attributions are probably incorrect. It is inscribed “ANO XXXII,” and if this is to be read as the regnal year, it must have been painted between April 1540 and April 1541, and, if it represents this Queen, more than two years before her marriage. She wears a scarlet, black, and white circular French hood with black fall, and cloth of gold dress. Sir George Scharf considered it to be a portrait of Catherine Howard.[542] Footnote 541: See pp. 192-193. Footnote 542: _Archæologia_, vol. xl., 1866, p. 84. Several miniatures of Edward VI exist—there are three in the Buccleuch Collection—though not one has been so far discovered from the hand of Holbein himself. Most of them represent the boy at a period after Holbein’s death, and the name of Guillim Stretes has been suggested as their author.[543] The beautiful little circular drawing of the Prince, at a very early age, in the Basel Gallery,[544] is apparently Holbein’s first study for a miniature which has now disappeared, and may have been the “portrait of the Prince’s Grace” which the artist presented to Henry VIII on New Year’s Day, 1539.[545] Footnote 543: See pp. 168-189. Footnote 544: Woltmann, 110 (82). Footnote 545: See p. 164. [Sidenote: LIVINA TEERLINC]