Hans Holbein the Younger, Volume 2 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 2 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
In the case of Livina, as with Susanna Hornebolt, it is impossible to
point with certainty to any work as being indubitably from her hand. The
two beautiful miniatures in the Salting Collection representing two
little girls, sisters, aged five and four respectively, which were
formerly in the collection of Mr. C. H. T. Hawkins, were attributed by
both these owners to Livina Teerlinc, and were so described in the
catalogue of the Burlington Fine Arts Club Exhibition (Case B, 5).[550]
The richness of the costume indicates that they were the children of
some important personage about the court. Each one is dated “ANO DNI
1590,” and they are enclosed in a contemporary turned ivory case. Dr.
Williamson states that at one time they had attached to them “a strip of
parchment on which was recorded, in handwriting undoubtedly
contemporary, that the two little portraits were ‘fynely’ painted by
Lavina Teerlinc in 1590 at Greenwich.”[551] It is impossible however,
that miniatures painted in 1590 can be her work if Mr. Weale’s
conjecture[552] that she died before 1580 is correct; but Dr.
Williamson, who has been good enough to re-examine his notes, made when
the miniatures were in the Hawkins collection, is now of opinion that
the date on the parchment is not 1590, but 1570. The third figure is
indistinct, but appears to be 7. If this is so, the attribution of these
charming little works to Livina is very probably a true one, and the
artist may still have predeceased her husband, as Mr. Weale surmises.
There is an interesting miniature in Earl Spencer’s collection, signed
with an “L,” and dated 1526, a double portrait, said to represent Sir
John Boling and his mother, though the couple appear to be man and wife,
which has been ascribed by some writers to Lucas d’Heere, though the
date, of course, makes such authorship impossible. Mr. J. J. Foster[553]
states that when he examined it he thought he could discern a “T”
following the “L,” and suggests that it was the work of Livina Teerlinc;
but this is equally impossible, for, according to Mr. Weale’s
researches, she and her husband did not reach England until about 1545,
while in 1526 she must have been a mere child.
Footnote 550:
Reproduced in _Burlington Fine Arts Club Catalogue_, Pl. xxxii.
Footnote 551:
Williamson, _History of Portrait Miniatures_, vol. i., Addendum, p.
xx.
Footnote 552:
_Burlington Magazine_, vol. viii., February 1906, p. 356, and vol.
ix., July 1906, p. 278.
Footnote 553:
_British Miniature Painters_, 1898, p. 14 and Pl. v.
[Sidenote: MINIATURE OF KRATZER]
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