The companion picture, in the Berlin Gallery (No. 586B) (Pl. 3), represents Hermann Hillebrandt Wedigh.[38] Like that of his brother, it is a small half-length. He stands directly facing the spectator, the left hand holding his buff-coloured gloves, and the right half hidden by the heavy dark-brown cloak, with black velvet collar and velvet at the wrists, the folds of which are finely arranged and painted. This cloak lacks the customary fur collar. The white shirt, partly open and showing the bare chest beneath, is tied in the front by long strings passed through a white button, and the embroidered collar is almost hidden by his beard. A flat black cap is on his head, of the type worn by all the Steelyard merchants in Holbein’s portraits. The hair, beard, and long moustache are fair, the separate hairs being indicated with almost microscopic care. The eyes are brown, the left one being decidedly smaller than the right, and there is a corresponding difference in the development of the two sides of the face. There are no accessories of any kind, and upon the plain blue background, on either side of the head, is inscribed, in gold letters: “ANNO. 1533.” and “ÆTATIS SVÆ. 39.” The gold ring is enamelled in red, white and black, and in the circle round the coat of arms there are some letters now undecipherable. This is one of the finest and most sympathetic portraits ever painted by Holbein. The face, in spite of its slight irregularity, is one of great charm and much sweetness of expression. The drawing of the hands and mouth is particularly fine.[39] Footnote 38: Woltmann, 116. Reproduced by Dickes, p. 79; Knackfuss, fig. 121; Ganz, _Holbein_, p. 98; and in colour in _Early German Painters_, folio v. Footnote 39: