Hard-Pan: A Story of Bonanza FortunesBonner, Geraldine
General
Hard-Pan: A Story of Bonanza Fortunes
Bonner, Geraldine
Gold miners -- Fiction; San Francisco (Calif.) -- Social life and customs -- Fiction
They rose, and together, the rustling ladies first, passed through the
intervening hall into the drawing-room beyond. It was a warm, glossy,
much-upholstered room, with an appearance of overcrowded cheeriness.
Lamps casting halos of mellow light through beruffled silk shades like
huge primeval flowers, glowed from the corners and sent glistening
rays along the leaves of tropical plants. The ornaments disposed upon
the tables and mantel-shelves were numerous and interesting enough to
have claimed an afternoon's careful attention. There were mounds of
cushions on the divans, and sudden prolongations of the surroundings
in unexpected mirrors. Framed in the folds of the portières was the
bright, distant picture of the deserted dining-table, with its bloom of
candles and glint of glass and silver.
The small family party all knew one another so well, and so constantly
met for these little informal dinners, that when John Gault excused
himself on the ground of an evening engagement, no one criticized his
defection or urged him to stay. Letitia, who had put on her new pink
gauze dinner-dress that evening, was more hurt by the fact that he did
not comment upon its splendors than that he left so early. She was used
to his unceremonious inclusion of herself in the family party, whom he
called by their Christian names and treated with brotherly informality.
This evening, as usual, she went into the hall with him for a last
word or two while he put on his coat. Secretly she was hoping that he
would notice her dress; for if Letitia had a weakness, it was for rich
apparel. Fortunately she could indulge it. She had a fair fortune in
her own right, and being an orphan who made her home with her married
sister, her income was hers to spend as she pleased.
Standing under the hall light, she regarded Gault with grave attention
as he attempted, alone and unaided, to put on his coat. Then, seeing
the unequal nature of the struggle, she said suddenly, "Let me help
you, John," and taking the garment from him, shook it and held it out
to him by the collar.
He laughed, and thrusting an arm into the sleeve, said over his
shoulder:
"You're not only the most ornamental but the most useful person I know,
Letitia."
"Thanks," she responded sedately; "but I wouldn't have supposed you
thought I was so ornamental."
"Why not?" he answered, affecting as dramatic a surprise as was
possible in his position, with his second arm just thrust into the
sleeve.
"Because you never noticed me to-night at all," said Letitia, giving
the collar a settling jerk.
"Never noticed you?" He was able to turn round on her now, and regarded
her with exaggerated astonishment. "What do you mean? I noticed you
more than I did any one else."
"I didn't mean myself, exactly; I meant my gown."
"That shows how a feeling silence is thrown away on a woman. I noticed
it a dozen times; but just because I didn't say so you suppose I was
blind to it. How could I be?"
Public-domain text, read in full here on John Shaqi.
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