Hard-Pan: A Story of Bonanza FortunesBonner, Geraldine
General
Hard-Pan: A Story of Bonanza Fortunes
Bonner, Geraldine
Gold miners -- Fiction; San Francisco (Calif.) -- Social life and customs -- Fiction
He stepped back and looked critically at Letitia standing where the
light of the hall lamp fell softly over her.
"But you know," he said, "it wouldn't be strange for a man not to
notice the dress, because the person who has it on is so much better
worth looking at than any dress."
Letitia's delight at this compliment could not be disguised. She
blushed and tried not to smile, and looked as childishly pleased as
a woman can who is five feet nine inches high, and has the massive
proportions and noble outlines of a Greek goddess.
She was, in truth, a fine creature, large, statuesque, and handsome,
as Californian women are handsome, with the beauty of form and color.
Viewed critically, her features were not without defects; but her
figure was superb in its type, her skin was flawless, and her naturally
rich coloring was still further intensified by the reddish hue that
had been imparted to her hair by some artificial means. In the full
panoply of evening dress there was something magnificently vivid,
almost startling, about her. One could imagine a stranger, who had come
suddenly upon her in a doorway or on a staircase, standing mute, with
caught breath, staring.
To-night, touched into higher brilliancy by the new pink dress, her
beauty even struck Gault's accustomed eye, and his compliment had
more sincerity in it than is usually found in those administered to
relations. Then, amused at her girlishly naïve pleasure, he bade her a
laughing good night, and without waiting for her response, opened the
door and let himself out.
The Mortimer Gaults lived in the newest and most fashionable part of
San Francisco. Two years before they had leased one of the houses that
have sprung up, alone or in groups of three or four, throughout that
quarter of the city where Pacific Avenue runs out along the edges of
the sand-hills. Here the undulating lines of the great dunes, dreaming
under the ceaseless hush, hush, hush of the wind sweeping through the
rank sea-grass, have been hidden under the march of progress. Large new
houses, shining with paint and bright with window-boxes, have settled
on the slopes, and now hold the sand down. A layer of earth and a hose
have transformed the haggard face of the dunes into gardens which would
be a mass of vegetation but for the French gardeners' restraining
shears.
The house rented by the Gaults, a solid, pale-hued building of the
colonial form of architecture, was large, new, and imposing. Flowers
drooped over its façade from many window-boxes. Its porch was verdurous
with great leafy plants growing in tubs and earthenware pots. In the
front there was a close-clipped strip of lawn, with neat borders and
a filamentosa palm, and the lower part of the bulging bay-window was
hidden by the close, fine foliage of an ivy geranium.
Public-domain text, read in full here on John Shaqi.
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